“Snøhetta’s extensive experience with ambitious waterfront projects and its world-class architects’ familiarity with San Francisco through their work on the SFMOMA expansion was a huge factor in our decision,” said Joe Lacob, Co-Executive Chairman and CEO of the Warriors. “All you have to do is look at what they’ve done for the new National Opera House in Oslo and the Great Library of Alexandria in Egypt to see what is possible at Piers 30-32.” — nba.com

"Scholarship allows for creativity in the midst of judgment and therefore we hope to honor the thrill of seeking with this gift." say Dykers and Molinar. "Willingness to expand the traditional definitions of architecture in order to pursue the tangential, with the goal of influencing one's architectural studies and future careers should be rewarded. With this scholarship, we honor the heritage of independent thinking at the UT Austin School of Architecture that so greatly influenced us." — soa.utexas.edu

Some of the names might already sound familiar to Houston design aficionados. Interloop principles Mark Wamble and Dawn Finley are professors at Rice. Denari received his undergraduate architecture degree from UH. Snøhetta is a finalist for the upcoming contemporary galleries at the Museum of Fine Arts, Houston and SHoP Architects are behind the current renovations for the Blaffer Art Museum. — houston.culturemap.com

The architects' sketches for SFMOMA's new expansion reveal a transformative design for the museum, the neighborhood, and the city. "Our design for SFMOMA responds to the unique demands of this site, as well as the physical and urban terrain of San Francisco," says Snøhetta principal architect Craig Dykers. "The scale of the building meets the museum's mission, and our approach to the neighborhood strengthens SFMOMA's engagement with the city. — sfmoma.org

Is it a building filled with art with some people in it, or a building filled with people with some art in it? There needs to be enough social space to make people feel comfortable in what can be an austere environment, the white box. You shouldn’t feel like you need to be quiet in the public spaces. — New York Times

In San Francisco, you feel like you’re always leaving and going, you go up and down, up and down. You’re always provided with a new view of the city. So we felt we could use that idea to allow people to experience the museum and the city in different ways. We’re creating a lot of variation within the design. So even though the building is relatively compact, you’ll always be able to step into a space and look down or across or up into another space. — Simon Ewings, via fastcodesign.com

The Museum of Fine Arts Houston has selected three architecture firms—Morphosis, Snøhetta and Steven Holl Architects—to submit conceptual design proposals for an expanded MFAH. The project entails the construction of a building intended primarily for post-1900 art, a parking garage and the integration of surrounding MFAH buildings and public spaces. — bustler.net

Just six months after the death of its longtime director, Peter C. Marzio, the Museum of Fine Arts, Houston has chosen three architects to submit designs for the new building he envisioned and hired a firm to search for his successor. Selected from an international list of 10 candidates, the firms are Morphosis, Snøhetta and Steven Holl Architects. Each will develop a concept for a building to house post-1900 art as well as a parking garage. — chron.com

Designed by busy Norwegian firm Snøhetta, which is also at work on the museum at New York's ground zero, the addition will slip a massive, 335-foot-long cruise ship of a structure behind the museum's existing building, which was designed by Mario Botta and opened in 1995. The main entry to Botta's museum, along Third Street, will remain, but a second gateway to the museum will open up along Howard Street. — latimesblogs.latimes.com