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As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox.
— ft.com
In 2013, we picture cities a little differently, with demography and photography. Cities live in Instagram, in patterns of light from space, in blueprints and visualizations and—most like Canaletto’s civic landscapes—on Google Street View.
Now, an artist in London has done some creative, comparative history, pairing Canaletto’s Venice and London with contemporary depictions, as glimpsed by the Google van.
— theatlantic.com
"Gone with the Fog" by UK-based architect Leo Sooseok Kim of MEDIUS Architects recently won first place in ArchTriumph's Venice Biennale Pavilion 2013 competition this past August.
[...] the structure also reflects the concept of sfumato -- meaning the pavilion doesn't look obstructive against the scenery of Venice and the St. Marco Square. At the same time, visitors on the observation deck are given clear views of the scenery around them.
— bustler.net
Opposition to the project began last year among Venetians and Italians, who are tired of seeing Venice abused by the vast cruise ships and mounting examples of the crudest commercialism. — The Art Newspaper
Previously: "called Palais Lumière, [it] will be a glittering menagerie of private apartments, hotels, commercial spaces and even a fashion university, and it would transform a dilapidated industrial area bordering the Venetian lagoon. Mr. Cardin has described the Palais, actually three... View full entry
called Palais Lumière, [it] will be a glittering menagerie of private apartments, hotels, commercial spaces and even a fashion university, and it would transform a dilapidated industrial area bordering the Venetian lagoon. Mr. Cardin has described the Palais, actually three structures linked by six flat discs, as a “habitable sculpture” and said it was his dream. — NYT
Elisabetta Povoledo writes about fashion designer Pierre Cardin's plans for a towering “habitable sculpture” designed to take advantage of the latest in "ecologically sustainable technologies" adjacent to the Venice lagoon in an industrial area. Conservationists fear it could imperil the... View full entry
On the occasion of the quickly approaching closing weekend of the 13th International Architecture Exhibition Common Ground at La Biennale di Venezia, the online community gets the chance to talk interactively in a live chat with David Chipperfield, curator of the exhibition. — bustler.net
The live stream starts at 6pm (Central European Time) on Friday, November 23rd and can be accessed at biennalearchitettura.telecomitalia.com. View full entry
Two weeks left until the David Chipperfield-curated 13th International Architecture Exhibition Common Ground closes its gates in Venice. On Saturday afternoon, November 24, visitors can participate in the "Great closing meeting" featuring panel discussions to review the goals of the exhibition and the reactions to Common Ground. The last day to visit the exhibition is Sunday, November 25. — bustler.net
Innovation and research are the themes that define the work of the seven teams and the seven installations that articulate SPAINLAB, the exhibition at the Spanish Venice Biennale Pavilion curated by the architects Anton Garcia-Abril and Débora Mesa of Ensamble Estudio. — bustler.net
Click here to see more Archinect News posts related to the 13th International Architecture Exhibition of the Venice Biennale. View full entry
The Hong Kong Institute of Architects and Hong Kong Arts Development Council will participate in the 13th International Architecture Exhibition of la Biennale di Venezia with an exhibition focusing on the vital urban, architectural and cultural regeneration of Kowloon East, Hong Kong SAR. The exhibition is titled “Inter Cities / Intra Cities: Ghostwriting the Future”. — bustler.net
Click here to see more Archinect News posts related to the 13th International Architecture Exhibition of the Venice Biennale. View full entry
The Australian Institute of Architects has unveiled plans and preview images of its exhibition, Formations: New Practices in Australian Architecture, which will open at the 2012 Venice Architecture Biennale this August. In the face of new economic, social and cultural challenges, the exhibition at the Australian Pavilion seeks to act as a catalyst for discussion and debate around the changing role of architects and the ways in which they influence the world around them. — bustler.net
Click here to see more Archinect News posts related to the 13th International Architecture Exhibition of the Venice Biennale. View full entry
Wojcicki said the new campus — three adjacent buildings including Frank Gehry-designed Binoculars Building — would also help Google attract candidates from area colleges and universities... The company's focus on Web search is evoked by the iconic binocular sculpture at the site, created by Claes Oldenburg and Coosje van Bruggen. — latimes.com
Two winners, one special prize, and eleven honorable mentions have been announced in the Venice CityVision Competition. The international ideas competition routinely challenges architects, engineers, designers, students and creative individuals to develop visionary urban proposals with the intention of stimulating and supporting the contemporary city, in this case Venice. — bustler.net
Those homeboys over at the American Institute of Architects, Los Angeles (AIA|LA) are so bad, drumming up biz for their May 15 architectural home tour called "Ve ≠ SaMo (Venice is not Santa Monica)" by asking if the two locales drove different architecture -- say, Santa Monica soccer mom versus Venice Bohemian daddy. Everyone knows Venice is dead, cemented over by gentrification, and the emerging artist crew has moved onto Inglewood. — blogs.laweekly.com