The winning design, easily the most ambitious of three finalists announced last month, calls for a repeating series of concrete arches that both refer to and exaggerate the Butler design as the bridge stretches from downtown Los Angeles on the west to Boyle Heights on the east, spanning the L.A. River and the 101 Freeway on its way. — latimes.com

It is all like hood style now mixed with hipster... Hoodster..? — NYT

The building’s exact design is not final, but Craig Dykers of Snøhetta said it would be a lozenge-shaped building constructed with a façade primarily consisting of semi-opaque glass with a whitish frit, or dotted, pattern. The exterior is meant to make the building translucent and light-colored but also environmentally friendly by limiting some of the direct sunlight streaming in, he said. — sfexaminer.com

because they (NPR) always seem to believe they are saying something really fresh and profound about a place or a “scene” when they tag it thus. But the real force behind our mania for the vibrant is the nation’s charitable foundations. For organized philanthropy, “vibrant” seems to have become the one-stop solution for all that ails the American polis. — The Baffler

Two winning projects and one special mention have recently been announced in the first competition cycle of POST+CAPITALIST CITY, #1Shop. This international ideas competition called for proposals which re-think the concept of the shop, the way we consume, and a city with alternative shopping systems and shopping culture—from small interventions up to global concepts. — bustler.net

In this fascinating series of works, Hungarian new media artist Bence Hajdu has removed the figures from a series of Old Master paintings with such precision that it’s almost hard to believe. — hyperallergic.com

“Home for All” for Rikuzentakata is a gathering place for those who lost their homes in the tsunami-devastated city in Iwate Prefecture. The project was led by architect Toyo Ito, who collaborated with younger Japanese architects, Kumiko Inui, Sou Fujimoto, and Akihisa Hirata. — japlusu.com

... they started opening up in abandoned (but interesting) buildings where nobody wanted to spend the money to restore them to their former glory. Some didn’t have a roof (and still don’t), while others had a big courtyard offering ample space for revelers. Set up a bar, get the toilets working, and you’re set. Eventually some expanded to take over several adjoining buildings. The first ones were a success, others followed, and now they’re a fixture on the nightlife circuit... — travel.usatoday.com

Thieves broke into a Rotterdam museum on Tuesday and walked off with works from the likes of Picasso, Monet, Gauguin and Matisse potentially worth hundreds of millions. "Those thieves got one hell of a haul," said Chris Marinello, who directs the Art Loss Register. — NYT

His own artwork is often described as institutional critique or engagement -- work that grows out of the particular conditions of a museum or gallery environment. But unlike other artists grouped under that umbrella, his work was not fueled by political dogma as much as intelligence and curiosity: How will your art experience change if you alter a choice operating assumption, often in the form of a key architectural element? LA Times — LA Times

In a city whose residents are accused of disdaining public space, the orbiter's tour led Angelenos to crowd sidewalks 10 or 12 deep as well as drawing thousands of people who live north of the 10 Freeway to boulevards south of it. It packed gas stations and strip-mall parking lots with crowds. — latimes.com

Next to interviews with Saskia Sassen and with the Nigerian-born architect Kunlé Adeyemi, and a series of contributions that discuss Next Urbanism in general, we feature eleven articles that focus specifically on the cities of each of the Next Eleven countries. — MONU Magazine