Getting caught up in holiday madness has become so normal that it's easy to forget that the holidays can act as a reminder that caring for each other -- no matter how simple the act -- can go a long way. Architecture firm Hello Wood, who built the 11-meter Christmas tree made out of 365 sleighs... View full entry
Aleksandra Wasilkowska, the vice-president of the Polish Architectural Association in Warsaw, doesn’t care much for skyscrapers... Street stalls, collapsible tables, carts, and makeshift homeless shelters are but a few typologies of what [she] calls “shadow architecture” — the urban phenomena that follow the rise of an informal shadow economy. Its key figures include street peddlers and traders...not urban planners or corporate designers — Blouin Art Info
The mortar resists microcracking through in situ crystallization of platy strätlingite, a durable calcium-alumino-silicate mineral that reinforces interfacial zones and the cementitious matrix. The dense intergrowths of the platy crystals obstruct crack propagation and preserve cohesion at the micron scale, which in turn enables the concrete to maintain its chemical resilience and structural integrity in a seismically active environment at the millennial scale. — Berkeley Lab
These sorts of structural deformations are not new — researchers have already demonstrated “memory” and “smart material” properties. One of the most popular technologies is known as shape memory alloy, where a change of temperature triggers a shape change. Other successful approaches use electroactive polymers, pressurised fluids or gasses, chemical stimulus and even in response to light. — kurzweilai.net
A Hyperloop in California could be built within a decade, for between $7 and $16 billion and there are no technical showstoppers, Ahlborn says.
In other words, while Musk’s initial estimate of $4 billion was somewhat optimistic, it wasn’t exceptionally far off, especially given that Ahlborn believes the ultimate number for the hyperloop between San Francisco and Los Angeles would come in toward the lower end of the range.
— forbes.com
The ATF national response team, at the end of its investigation, reaches one of three conclusions – incendiary, accidental, or undetermined. Given Thursday’s conclusion that the fire was determined to be "incendiary," or deliberately set, local authorities will probably launch an arson investigation to identify those responsible for the blaze. — latimes.com
Previously: Huge downtown Los Angeles fire burns towering apartment project View full entry
a $25.4 million state grant that, matched with upwards of $30 million in private funds, will allow the Massachusetts Museum of Contemporary Art (MASS MoCA) to renovate another 140,000 square feet into gallery space on its 13-acre campus.
While this expansion will make it the largest contemporary art museum in the U.S., MASS MoCA has also been pioneering new economic models, civic engagement strategies and urban design interventions that are relevant for museums in much larger cities.
— nextcity.org
Ash-har Quraishi reports on why some Chicagoans oppose a plan for a museum for the ‘Star Wars’ creator’s artwork — Al Jazeera
The Provocations: The Architecture and Design of Heatherwick Studio exhibition presents the design concepts behind the span of projects that British designer Thomas Heatherwick and his London-based studio have created worldwide. Currently at the Nasher Sculpture Center in Dallas until January... View full entry
The United States Olympic Committee board of directors unanimously approved a U.S. bid to host the 2024 Olympic and Paralympic Games, the USOC announced today. Boston, Los Angeles, San Francisco and Washington, D.C., remain under consideration, with the selection of a U.S. bid city to be made in early 2015. [...]
“All four cities have presented plans that are part of the long-term visions for their communities,” said USOC CEO Scott Blackmun.
— teamusa.org
In a letter to employees Wednesday, Time Inc. announced that it had sold Sunset’s serene seven-acre Menlo Park, Calif., campus of carefully designed gardens and 1950s ranch-style buildings to Embarcadero Capital Partners, a San Francisco real estate investment and management company. — New York Times
This is so sad, as it very likely means the demolition of Cliff May's beautiful and quintessentially Californian design. I would have loved to have visited the campus.I can easily credit Sunset Magazine with being a major influence on my decision to become an architect: as a pre-teen I pored... View full entry
Architecture, of the capital “A” variety, is exceptionally capable of creating signature pieces, glorious one-offs. We’re brilliant at devising sublime (or bombastic) structures for a global elite who share our values. We seem increasingly incapable, however, of creating artful, harmonious work that resonates with a broad swath of the general population [...]
We’ve taught generations of architects to speak out as artists, but we haven’t taught them how to listen.
— nytimes.com
In light of the above, we are appealing to you in your roles as founder and lead architect of the firm, and as an educator and a public intellectual, to side by us in advocating to your client, but also to planning and urban authorities in Beirut the preservation of a site with unique characteristics, and withdraw services on this project. If such advocacy efforts falter, we urge you to dissociate yourself and your firm from this contentious project. — Jadaliyya
We have recently learned that the Office for Metropolitan Architecture (OMA) has been commissioned to develop a design for a projected development on a prime sea-front location in Beirut (Lebanon): the Dalieh of Raoucheh. Proposing a private development over such a prime social, national... View full entry
A two-year, 53.5 million euro makeover, or nearly $67 million, is underway in the vast reception area below I. M. Pei’s glass pyramid, where long lines of waiting visitors stream into a chaotic, open space that [the museum president] [Jean-Luc] Martinez likens to a noisy airport and that leaves many people disoriented and lost. He is also revamping the museum’s basic storytelling tools: almost 40,000 banners, wall text, signs and symbols... — nytimes.com
The first portion she pointed out was a pale ochre wall patterned with thin, perpendicular white lines mimicking mortar between masonry blocks. Looking upward we then saw panels of blue faux marbre, high above them gilded column capitals and bosses (the ornamental knobs where vault ribs intersect), and, nearby, floor-to-ceiling piers covered in glossy yellow trompe l’oeil marbling, like some funeral parlor in Little Italy. — nybooks.com