Foreclosed, a new exhibit at the Museum of Modern Art, shows ways of radically rethinking suburbia, homeownership and housing. But are such drastic measures what the suburbs really need? — Next American City

the exhibition at the Carnegie is not about the Vietnam memorial or other moving memorials she has done since. Instead, this is a straightforward presentation that wants to lead us to meditate about rivers, seas, lakes, land forms and other elements in the natural environment. What we see here are her persistent efforts to find sculptural forms that will get us to care more about the world around us. All of her recent work, in fact, seems to be an outpouring of her concerns for the environment. — pittsburghlive.com

The Buckminster Fuller Institute has published 103 entries to this year's Buckminster Fuller Challenge in the IDEA INDEX— BFI's ever growing repository of whole systems solutions to the world's most pressing problems. Entries were submitted from all parts of the world— the US, the UK, India, China, the Sahel, the Arctic, South Africa, Rwanda, Barbados, Haiti, and Afghanistan, among others. — bustler.net

Reacting to the Beach & Howe Tower proposal in Vancouver by Bjarke Ingels Group holz.box argued "still beats 90% of what's out there. i'd love to see this built."

"There is a backlash," says Gehry, now aged 82, "against me and everyone who has done buildings that have movement and feeling", that is "self-righteous" and "annoying… The notion is that it is counterproductive to social responsibility and sustainability. Therefore, curving the wall or doing something so-called wilful is wrong and so there is a tendency back to bland." — guardian.co.uk

Mr. Soleri, however, will discuss his marvelous, flawed creation with disarming frankness. Has Arcosanti, for instance, lived up to its potential? “No. Don’t be silly,” he said, and then laughed. — NYT

... one the most gifted architects of my time has been reduced to wrapping such conventional programs of use in merely expressionistic forms, without letting a single ray of her genius illuminate the human condition. Am I being pretentious and overly demanding? Of course. But that’s the way disappointed lovers behave. Exaggerated emotions. Absurd demands. Anger that transgresses all reason. She has let me down, and what makes it worse is that she apparently couldn’t care less. — Lebbeus Woods

The marriage of light and geometry does indeed find its consummation in architecture, but for me it did not come about so easily. At age eighteen I entered a fine school of engineering, then transferred to a fine school of architecture, finishing there when I was twenty-four. After ten or so years of working in corporate offices, learning what it meant to build—and leading a rather turbulent life—I went out on my own. — lebbeuswoods.wordpress.com

Working with Suzan Wines, co-founder of I-Beam Design, Marks dreamed up the concept based on both Archie’s love for the bricks and her own affection for geometric, abstract design and Lego-like colors, which carries through the rest of the apartment. To install the wall, they enlisted Sean Kenney, one of only five people in the country licensed by the Lego company to undertake projects as ambitious as, say, a four-foot, 13,000-piece replica of the Empire State Building. — nymag.com

The design shows Eisenhower as a youth gazing out at images of his adult accomplishments against a backdrop of the Kansas plains. But the Eisenhower family objects to the design and is attempting to delay approval of the project in a dispute that has pitted a leading American family against one of the country’s most recognized architects. The family says Mr. Gehry should portray Eisenhower as a man in the fullness of his achievements, not as a callow rustic who made good. — nytimes.com

Architect and designer Joseph Choma of Design Topology Lab, a research platform dedicated to the ontology of space defined by mathematics, has shared with us his project, BOUNDARIES. The installation, part of a recent exhibition at SP_ARC Gallery in Marietta, Georgia, is a 26' x 13' drawing of his trigonometric transformation: thickening and is constructed out of 450 tiles. — bustler.net

The Herzog & de Meuron and Ai Weiwei collaboration – the 12th pavilion – breaks the mould of the sequence so far as the criterion for the commission had been for an architect not to have built in England. But Herzog & de Meuron are also deeply engaged in the art world, having built the Walker Art Centre in Minneapolis and the de Young Museum in San Francisco. They are currently working on art museums in New York, Miami and Kolkata. — ft.com

In pre-industrial days, copying used to be a positive act. It was seen as a skill. Artists were looked upon as handworkers. Copying became a negative notion with the cult of the individual artist and the arrival of mass production, which made replication extremely cheap and easy. Copyright and intellectual property laws were created to protect the original. In those days, the amount of new products reaching the market was relatively small. — rennyramakers.com

The project of Lacaton-Vassal-Druot is a brilliant contemporary example of working within built-up heritage, solving with an exceptional industrial and even adaptable solution the problem which many European cities face. — Domus Magazine