After a freewheeling round of discussions, Snøhetta’s New York office settled on a unique challenge: building a Lego structure that captured the plastic bricks’ unique relationship to gravity. “A Lego building has a lightness that a real building doesn’t have to contend with,” says Craig Dykers, Snøhetta’s co-founder. “We thought wouldn’t it be interesting to capture the feeling of gravity in a Lego block, where gravity actually has very little influence in many ways on its structure...” — wired.com

Six finalist teams were invited to develop design concepts for the National Holocaust Monument that will be built in the Canadian capital of Ottawa. The two-phase national competition began with a Call for Qualifications in May 2013.

The teams — which had to be led by a Canadian citizen — consist of architects, artists and other design professionals from around the globe. — bustler.net

The Buffalo Planning Board will be reviewing plans to construct 48 apartments in eight new buildings next week. The complex at 270 Niagara Street sits in the shadow of City Hall. It currently contains 472 units on 9.5 acres and was completed in 1972. — Buffalo Rising

It's a good week for Olafur Eliasson: earlier today, we reported that the Rolex Arts Initiative had selected the Berlin-based artist as its Visual Arts mentor for 2014-2015, and now we found out that MIT's Council for the Arts will present him with the 2014, 40th anniversary Eugene McDermott Award in the Arts at MIT. The award includes an artist residency, pop-up exhibitions, a public lecture, and a $100,000 cash prize. MIT students will also get to work on Eliasson’s Little Sun project. — bustler.net

At its core, Context encourages hyper-efficient iteration by allowing designers to see their work three-dimensionally as they’re in the creation process. The goal is to radically reduce the time and effort it takes to realize a fully-developed design, which in turn will let designers spend more time on brainstorming great ideas and less time on the mechanics of bringing them to life. — Wired

It isn't clear what the artwork will look like, though a person familiar with the matter said it would have a "gathering" theme. But it will be expensive: Mr. Ross, chairman of builder Related Cos., has told friends and associates the company intends to spend as much as $75 million on the centerpiece and surrounding public space. — online.wsj.com

Six months after the Japanese government approved Hadid’s proposals, the country’s parliament has signalled a reverse in its support.

Hakubun Shimomura, the minister in charge of education, sports and science, said that the New National Stadium would cost 300 billion yen (£1.8 billion) to build and that was “too massive a budget”.

The design of the 80,000-seat stadium will be preserved but Mr Shimomura said: “We need to rethink this and scale it down.” — standard.co.uk

If you haven’t quite wrapped your head around the concept of 3-D printing, or haven’t yet had a digital scanner wrap itself around you, now you can do both in “Out of Hand: Materializing the Postdigital,” at the Museum of Arts and Design. [...]

And while visionary design shows like that of MoMA are entrancing, there’s something to be said for a more down-to-earth, production-focused exhibition. — nytimes.com

Ryusuke Nanki, a Tokyo-based designer and former student of Shigeru Ban, was the head of production and design for the first European showing of the "L'art de Rosanjin" exhibition at the Guimet Museum in Paris that happened from July 3 to Sept. 9.

The continuous flow of the exhibition space, pillars, and beams are an ode to traditional Japanese architecture, while a soft palette of whites and grays express the sophistication of epicure and artist Rosanjin Kitaôji. — bustler.net