Michael Kimmelman, chief art critic for The New York Times, looks back over the career of a master. Oscar's gradual influence on today's greats, his communist spirit, that inimitable eye for the feminine , and a daily life which has not changed much over decades of Brazillian history, has made him The Last of the Moderns.
click here to see the entire index of the Sunday NYTimes Magazine dedicated to architecture & modernism
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