If I enjoy doing what I do, why would I change it? Of course, at any point with any of us, there’s always the other side of the coin […] I get the same buzz from designing buildings, working with people, educational workshops, working with the UN heading their Forum of Mayors, engaging with civic leaders, writing, drawing, sketching. I’m privileged to have many such opportunities […] I think they’re my lifeblood, yes.” — The Guardian
Norman Foster, who will turn 87 this year, was at the Guggenheim Bilbao to talk to The Guardian’s Tim Lewis about his lifelong love of cars and upcoming exhibition there titled “Motion. Autos, Art, Architecture.” Foster told the writer he sees the exhibition as “almost like the requiem for the age of combustion,” adding that, at this point in his career, “I feel as young as the people that I’m working with and engaging with and sharing passions.”
Foster also discussed his reaction to some of the changes in worklife necessitated by the coronavirus, and the ability of his office to get back on its feet following a year of economic downturn.
“We were all surprised by the way in which the technology has worked,” he said. “And the energy and resourcefulness of the team. But I guess it’s also made us acutely aware of the importance of physically coming together. The lessons of history are that an event like that accelerates trends that were already apparent and magnifies them.”
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