Good walls make good neighbours – but not, it seems, when they are made entirely of glass. Five residents of the multi-million-pound Neo Bankside towers, which loom behind Tate Modern like a crystalline bar chart of inflated land values, have filed a legal claim against the museum to have part of its viewing platform shut down. They claim that its 10th-floor public terrace has put their homes into a state of “near constant surveillance”. — The Guardian
In an apparent case of art interfering with life, the owners of the apartments next to the Tate Modern's viewing platform are trying to legally erect some kind of visual barrier between them and the visitors of the museum (although the exotic technology of curtains has apparently not yet made it to the U.K.). This attempt at transforming the viewing platform into just a platform is raising ire for several good reasons, chiefly because it places the comfort of a few above the aesthetic pleasure of potentially millions. On the plus side, it has also caused Oliver Wainwright to write a highly enjoyable piece delving into barely restrained class tension and London's swollen luxury real estate market.
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