It was an artistic collaboration delayed by some 25 years: The London architect Zaha Hadid responded as much to Frank Gehry’s Walt Disney Concert Hall in Los Angeles as she did to “Così Fan Tutte” when she designed her undulating all-white set for the Los Angeles Philharmonic’s performance of Mozart’s opera this week (it closes on Saturday). “We were responding to the context, to Frank’s design,” Ms. Hadid said in a telephone interview from London. — nytimes.com
No Comments
I didn't pay too much attention to the content of this infomercial article but this sentence caught me in passing, a lot of motion in that sentence alone...
Ms. Hadid’s design takes full advantage of being liberated from what has been called the missionary position
Block this user
Are you sure you want to block this user and hide all related comments throughout the site?
Archinect
This is your first comment on Archinect. Your comment will be visible once approved.