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Aravena’s main show, though full of timely and meaningful projects, doesn’t succeed terribly well strictly as an exhibition — as a sensory and visual experience on its own terms...
In part this weakness may be explained by the quick time frame; it also seems to flow from Aravena’s generous sensibility, his interest in opening his arms wide to the architecture of the moment and featuring a range of voices usually not heard in Venice. In that sense a desire for inclusion is his Achilles’ heel.
— Christopher Hawthorne | Los Angeles Times
"Some architects — some architects left out of the show, that is — complained in Venice that what Aravena has produced is little more than a politically correct biennale [...] Yet the tone is more tolerant and curious than strident or doctrinaire. Ultimately the PC charge is a caricature, a... View full entry
