Anyone in the architecture world knows how a competition works like the back of their hand.

But Architectural Competitions – Histories and Practice looks at them in a different angle, and a scholarly one at that. In fact, architectural competitions have been a research topic since the 1990s in Europe [...]. The book is a compilation of various accounts that illustrates this interest and examines the role and value of the competition in the field of architecture throughout history. — bustler.net

More than decade after Abbott's imaginative drawing, Eero Saarinen submitted a design for a gleaming metal curve to a competition, and the saga of the Arch began. Campbell, a history professor and the co-director of the Wendell Ford Public Policy Research Center at the University of Kentucky, joins Scott Simon to talk about the controversy around the design, the African-American residents who were displaced to build the Arch and whether the monument really symbolizes the opening of the West. — npr.org

The unbending axis of architectural apologetics made for Speer is a double one...This defense, of course, is exculpatory only if it fails to make any distinction within the field of this expression or to consider any integral relationship between form and function. The more outré defense of Speer insists that he is not simply tarred with modernism’s anti-classical brush but that he was an excellent architect, full stop. — The Nation

Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” is the result. — nytimes.com

The oversize public monuments and buildings in the capital of North Korea confirm the subservience of the citizen to the state and display the ghastly aesthetic imperatives of totalitarian art. — online.wsj.com

In his own unique graphic language, he details his extensive creative pursuits, including clothing lines, jewelry, and accessories designs for Louis Vuitton, furniture and other product design, limited-edition toys, graphic designs, skate graphics, and collaborations with Moncler, Marc Jacobs, the artist KAWS, and with architects Zaha Hadid and Masamichi Katayama/Wonderwall. — rizzoliusa.com

In 1954, a young Hungarian went to work with Eero Saarinen in Bloomfield Hills, Michigan. As his then colleague, Cesar Pelli, describes him: “[He] was a small sensation: he had a fur-trimmed coat, a homburg, and a Van Dyke beard.”... He had been a distinguished architectural student at the Ecole des Beaux Arts, in Paris, and a draftsman under Le Corbusier... he was quickly tapped as the in-house photographer, creating pictures that became indelible symbols of the Mad Men age of Modernism. — fastcodesign.com

"The Sky's the Limit: Applying Radical Architecture" (Gestalten, $78) features 135 cutting-edge projects completed in recent years, broken into categories like organic flow, sharp structures and smarter surfaces. The ultimate aim of these buildings, writes Sofia Borges in the preface, is to evoke "pure, immersive sensation." — online.wsj.com

In Frank Lloyd Wright: Graphic Artist (public library), Penny Fowler examines Wright’s ingenious and bold graphic work — his covers for Liberty (some of which were so radical the magazine rejected them), his mural designs for Midway Gardens, his photographic experiments, his hand-drawn typographical studies, the jacket designs for his own publications, including The House Beautiful and An Autobiography, and a wealth more. — brainpickings.org