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The starting point of everything Superstudio did was dissatisfaction with the uniformity of modern architecture, which its left-wing members saw as an instrument of capitalism that disempowered the masses, robbing them of their individuality and freedom. Sometimes, they made fun of the status quo, or took it to absurd conclusions; other times, they imagined utopian futures. — The New York Times
The exhibition Superstudio Migrazioni about the radical Italian "anti-architecture" collective runs until Sunday, May 16 at CIVA in Brussels. View full entry
Adolfo Natalini, who, along with Cristiano Toraldo di Francia, co-founded the visionary architects' collective Superstudio, has passed away at age 78. Natalini was born on May 10, 1941 in Pistoia, Italy. He attended the University of Florence, graduating in 1966. That year, he... View full entry
Cristiano Toraldo di Francia, co-founder of the radical Italian architecture group Superstudio, has passed away at age 78. Di Francia, born in 1941, started Superstudio in 1966 with Adolfo Natalini; Eventually, the group grew to include Piero Frassinelli, and Alessandro and Roberto... View full entry
The 1960s, a time when possibilities and technologies in many areas — artistic, political, scientific — seemed broader than ever, remain a seductive decade. Fifty years on from the first moon landing we need to remember that the most striking image from space (and the one that had the most real impact) were not those of the dusty, dead surface of the moon but those of our own planet, glimpsed as something delicate, whole and beautiful. — Financial Times
The future used to look brighter. This may be the feeling gained when looking back at some of the most radical visions from familiar names in architecture. Archigram, Superstudio, Archizoom and Cedric Price each took their shot at a future based on post-war rhetoric, and we continue to marvel at... View full entry
One of ARO’s two concepts shows a huge white building emblazoned with the Amazon logo. [...] It’s a never-ending fulfillment center that the architects dub “Continuous Fulfillment.” According to ARO principals Adam Yarinsky and Stephen Cassell, the idea is an homage to a 1969 concept from the Italian radical architecture firm Superstudio called “The Continuous Monument.” The idea posits that technology will render the built environment uniform, turning buildings into white monoliths. — Fast Company
The billion-dollar cat is out of the bag, and Amazon will soon be ascending on Long Island City, New York and Crystal City/Arlington, Virginia to split its anticipated, tax-incentivized HQ2. As both regions prepare for the new neighbor to move in, Fast Company asked AIA New York State firm of the... View full entry
HALF A CENTURY AGO, a group of 20-something architecture students from Florence decided to assume the small task of conceiving an alternative model for life on earth. Contemptuous of the long reign of Modernism, which they felt had sold itself as a cure to society’s ills and never delivered, they were jazzed by American science-fiction novels and the political foment of the 1960s. They gave themselves the colorfully assured name Superstudio... — the New York Times
I am so pleased to announce that Global Tools is now out. Edited by Valerio Borgonuovo and Silvia Franceschini, contributions by Manola Antonioli, Valerio Borgonuovo, Alison J. Clarke, Beatriz Colomina, Silvia Franceschini, Maurizio Lazzarato, Franco Raggi, Simon Sadler, and Alessandro Vicari.
If Graham Foundation wants to "like" it, there is a facebook page -Vasif Kortun, SALT
— SALT Online
GLOBAL TOOLS 1973-1975In January 1973, a gathering took place in Milan at the editorial office of the magazine ‘Casabella,’ involving, among others, the architects and designers Ettore Sottsass Jr., Alessandro Mendini, Andrea Branzi, Riccardo Dalisi, Remo Buti, Ugo La Pietra, Franco Raggi... View full entry
