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Although the Biennale is hardly the first major exhibition to focus on Black and diasporic practitioners, the cascading crises of climate change, rapid urbanization, migration, global health emergencies and a deep imperative to decolonize institutions and spaces — starting with the historically Eurocentric Biennale itself — arguably make Lokko’s focus on hybrid forms of practice timely, be it planners as policy experts or artist-environmentalists. — The New York Times
Lokko repeated to the Times her interest in using the Biennale platform to disabuse stigmas about African identity before discussing her own experiences with identity, path to architecture, and the potential she and others are striving to present to the world. “The ability to be several things... View full entry
The Aga Khan Museum in Toronto has acquired a colossal sculpture made from 100,000 pieces of Lego by the Ghanian-Canadian artist Ekow Nimako, who is known for his Afrofuturist reimaginings of Black histories built from Lego bricks. — The Art Newspaper
According the The Art Newspaper, "the 30 sq-ft sculpture Kumbi Saleh 3020 CE (2019) conceptually envisions the ancient trading town in Mauritania one thousand years in the future, as a vast and complex metropolis once again." The piece was a part of the artist's 2019 solo... View full entry
Here at Archinect, we highlight academic events and lectures that provide insight and access to public programming created by architecture schools. Year after year, these events welcome various leaders and innovators within architecture, design, and its adjacent fields of study. While in-person... View full entry
Most people would probably be envious of the lucky DJs that got to spin tunes in The Mothership (I know I am). Ann Arbor-based practice Anya Sirota + AKOAKI looked to legendary funk collective P-Funk and their iconic album Mothership Connection to design the swanky modular DJ and broadcast booth... View full entry
