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The French artist Xavier Veilhan has created sculptures of the architects Renzo Piano and Richard Rogers that will be permanently installed next month in Place Edmond Michelet outside the Centre Pompidou in Paris. The pair designed the distinctive museum, which opened in 1977. — The Art Newspaper
Don't miss our 2015-podcast interview with Xavier Veilhan for Archinect Sessions. We talked with the Paris-based artist and his Los Angeles-collaborator, François Perrin, about their series of interventions into some of the world's most famous modernist landmarks and the resulting book... View full entry
Richard Rogers has challenged Prince Charles to engage in public debate over Britain’s built environment after claiming he knows of five developers who privately consulted him over their choice of architects because they fear his opposition.
The Labour peer and designer of the Pompidou Centre reopened a simmering row over the heir to the throne’s interventions in architecture by alleging in a new book that the developers consulted the palace “to check what would be acceptable”.
— The Guardian
The Guardian cites Rogers' thoughts on the Prince from his new memoir, A Place for All People: "I don’t believe that the Prince of Wales understands architecture. He thinks it is fixed at one point in the past (for him, classicism – an odd choice as it is not a style with deep roots in... View full entry
Where we would be without the energetic (if usually misinformed) enthusiasm of youth? Apparently, without the Centre Pompidou as we know it. In this comprehensive and enjoyable profile in The Guardian, Richard Rogers reflects on his early days as an architect after he and his freshly-made friend... View full entry
Wimbledon house in London, UK, designed by Lord Rogers in 1968, was gifted to Harvard Graduate School of Design in 2015 to provide both a residence for the Richard Rogers Fellowship, and GSD's new venue for lectures, symposia, and other events. Restored by British architect Philip... View full entry
Even the most punk of buildings eventually gets older. The Pompidou Centre in Paris, the landmark contemporary art museum designed by Renzo Piano and Richard Rogers, turns forty this year. To mark its birthday, the museum will get a two-year long facelift estimated to cost at least €... View full entry
The Wimbledon House, a landmarked building designed by Lord Richard Rogers in the late 1960s, has been donated to Harvard Graduate School of Design and will host a new research residency program. Dubbed the Richard Rogers Fellowship, the program is open to accomplished professionals and scholars... View full entry
According to a recent poll by the AJ 78% of architects want Britain to remain in the EU. In May David Chipperfield, Richard Rogers, Amanda Levete, and Thomas Heatherwick were among many prolific industry professionals who vocalised their decision to back the remain campaign with an open letter... View full entry
The 30 buildings to be visited by the RIBA awards committee and under consideration for the inaugural RIBA International Prize have been announced today. This is the first RIBA award open to any qualified architect in the world and includes projects of varying size and budget. Consequently the... View full entry
RIBA is establishing their own award for the world's best new building of the year, naming it the RIBA International Prize. Launched today, the International Prize will be awarded to the building that best "demonstrate[s] visionary, innovative thinking and excellence of execution, whilst making a... View full entry
When Lord Rogers launched a campaign to save one of London’s most notorious housing estates from demolition, he was adamant that it was a desirable place to live. [...]
It is a claim he may regret. Unhappy residents of the estate have challenged the peer to be true to his word and swap his £12 million Chelsea townhouse for a few nights in one of their blighted flats.
— telegraph.co.uk
Previously: Robin Hood Gardens Set For Demolition View full entry
This episode is a doozy. Paul and Amelia left the temperate sunshine of Los Angeles for Washington, DC's frigid monumentality, to interview Bjarke Ingels on the eve of his "Hot to Cold" exhibition at the National Building Museum. The 40-year old architect shared some quick-won wisdom about scaling... View full entry
The owners of the 222-metre (734ft) “Cheesegrater” building, the second tallest building in the City of London, are to replace dozens of long bolts on its structure after it was revealed that another one had fractured.
The bolts, among 3,000 on the building’s 15,000-tonne frame, are each just under a metre long. Two snapped in November, with some debris falling to the ground from the fifth floor. Nobody was hurt, but an area below the tower is still cordoned off.
— theguardian.com
Previously: Bolt part falls off Cheesegrater skyscraper in the City of LondonRelated: Another big concrete panel falls off Zaha Hadid-designed library View full entry
[...] a gallery dedicated to design and architecture will soon also be added the Centre.
Like the “Galerie de Photographies," which is housed in former technical facilities, the future design gallery will be located within the existing Piano + Rogers-designed building. “Eventually, there should be almost no offices in the building, and we'll keep only the technical facilities that are strictly indispensable," said Seban.
— news.artnet.com
No-one was injured but an area around the 47-storey Leadenhall Building in the city has been cordoned off.
It fell from the fifth floor to the ground at the side of the building - another bolt also broke off but was contained within the skyscraper.
It is understood the bolts are about the size of an arm and the piece that fell was about the size of a hand.
— bbc.com
Related: Rafael Viñoly-designed "Walkie Talkie" skyscraper melts car with light reflections View full entry
Someone has told the bouncers to be nice. It is now standard for architectural anoraks like myself to find ourselves challenged by smile-less security as we go about our blameless business – no loitering, no photography, no looking, as if al-Qaida scouts would do their dastardly work in this way or as if, years after the invention of the camera phone, photography can be controlled as it could in the age of the tripod. But not at the base of the Cheesegrater. — theguardian.com
