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Really, the differences between the plan and the final construction are not great. Then again, I make this tentative conclusion, that our salvation depends on attention to small things, to what lies obvious before us, once seen clearly, felt within, once absorbed. Mies said similar. — Architectures/Models
Gary Garvin, a name familiar to many Archinectors, delves into the lesser-known early design phase (Plan I) of Mies van der Rohe’s Barcelona Pavilion. This study highlights the architectural and conceptual distinctions between the initial plan and the final structure. Garvin’s detailed... View full entry
Marking the 135th anniversary of the birth of German designer Lily Reich, Fundació Mies van der Rohe presents its 2nd edition of the Lily Reich Grant for Equality In Architecture. Reich was Mies van der Rohe's close collaborator for many years and was a key player in the conception and... View full entry
Rotterdam-based designer Sabine Marcelis creates a visually mesmerizing exhibition playing with glass and its material capabilities in No Fear of Glass. Currently exhibited at the Mies van der Rohe Pavilion in Barcelona, Sabine sought to create pieces in response to a request made to Mies during... View full entry
While the work of modern masters will always lurk in the shadows of contemporary design, few have been imitated or referenced as frequently as the German architect Ludwig Mies van der Rohe. His material palette and deceptively simple methods of spatial organization indirectly inspired... View full entry