At a press conference in Tokyo on Friday, Studio Ghibli producer and co-founder Toshio Suzuki, Aichi governor Hideaki Omura and Chunichi CEO Uichiro Oshima laid out the basic plans for the park.

The site is located within the Expo 2005 Aichi Commemorative Park, and in keeping with director Hayao Miyazaki's strong environmental beliefs, is to be built in harmony with existing nature and without cutting down a single tree. The park will not feature roller coasters or other ride-type attractions. — The Hollywood Reporter

Each of the settings on display in the exhibit capture that promise of the future balanced with the starkness of reality. The settings also celebrate a disappearing craft—hand-drawn animation. The anime industry long resisted the shift to computer-generated art that took hold in the West starting in the 1990s, but as technology has advanced, fewer and fewer artists practice the craft traditionally, making the art on display especially striking. — The Smithsonian

An apartment building known as the “holy land of manga” due to its famous former tenants is to be rebuilt and opened as a museum of manga and anime in Tokyo’s Toshima Ward.

Tokiwaso, which was demolished more than 30 years ago, will be reconstructed in a park [...] Past occupants included “God of manga” Osamu Tezuka, the author of “Astro Boy,” who lived there in the 1950s; Fujiko Fujio of “Doraemon” fame; “Cyborg 009” creator Shotaro Ishinomori; and “Osomatsukun” artist Fujio Akatsuka. — asahi.com

Cartoons have been a major genre of popular entertainment  in Japan dating back to 1917. The country’s unique style of animation, or anime, came into its own in the 1960s — notably in the pioneering work of Osamu Tezuka. In the 1990’s, a generation of architects, who came of age watching anime cartoons on television, were granted license to build fantastic creations fueled by the excess and lack of restraint that characterized Japan’s asset bubble. — japlusu.com