I live here because L.A. is ugly... If I lived in a great beautiful city, why would I do art? I always have to be slightly angry to do art and L.A. provides that. — L.A. Times

Known as one of the finest example of Los Angeles' canonical modernism period, R. M. Schindler's Lovell Beach House will be open to public on a 'very' rare occasion. — MAK Center

Recenly erected traffic signal in front of historically significant Neutra VDL House in Silver Lake, Los Angeles. No notification was ever sent to institutions, individuals and organizations in charge of the house which is open to public. — Orhan Ayyuce

If all goes as planned, the New Museum’s five-year-old building on the Bowery will become something of an amusement park beginning Oct. 26, with visitors hurtling through a giant plastic tube from the fourth floor to the second — New York Times

The world’s most-famous architect sailed into a storm of old-fashioned Washington controversy this week.

At a public conversation Wednesday at the National Archives, Frank Gehry encountered hostile questions from audience members about his designs for a memorial to Dwight David Eisenhower planned for a prominent spot on Independence Avenue, just south of the Mall. — washingtonpost.com

The exhibition, curated by Elias Redstone, originated as an online project and showcases 60 architecture magazines, fanzines and journals from over 20 countries. From Australia and Argentina to the UK and USA, these independent publications are reframing how people relate to their built environment – taking comment and criticism out of just an architectural arena and into everyday life. — archizines.com

He was the ultimate perfectionist and demanded of himself as he demanded of others. We are better as individuals and certainly wiser as architects through the experience of the last two years and more of working for him. His participation was so intense and creative that our memory will be that of working with one of the truly great designers and mentors. — Norman Foster

The architects recognize that the armory as an exhibition space is a far cry from conventional “white cube” galleries, or what Mr. Herzog called “egocentric, architecturally driven museums.” But he said the spaces are likely to inspire artists, not limit them. “Artists have increasingly started to like strange places to put their art,” he said. “The specific conditions are unique and interesting and every artist is challenged to put his paintings or performances in such historic conditions.” — New York Times

"Migration has always been the vital essence of Mediterranean cities. New cultures have continued to be included in daily life, and they have fertilised and expressed themselves through complex urban forms with richness and imagination." - Giancarlo De Carlo — Domus Magazine

Mr. Gehry predicted the panel will benefit from Justice Breyer’s sense of calm. “People have biases,” he said. “And having a guy like that, who is used to that kind of negotiation and discussion, could be very interesting. He’s a real straight shooter.”

Justice Breyer said he hopes to advocate for high-quality design in government buildings. — nytimes.com

Given his stature, the demolition of Terminal 6 arguably ranks as the most significant loss of a transportation building in New York since Pennsylvania Station was razed in the early 1960s.

Mr. Cobb does not think of the two events as analogous, however. “This is not pure greed,” he said. “This is the myopic view of engineers. They just can’t figure out how to reuse it and they don’t put enough value on it to figure out how to reuse it.” — New York Times

Matthew Marks arrived at Ellsworth Kelly’s studio in Columbia County, N.Y., last year with an architectural model of his new Los Angeles-area gallery. It was meant as both visual aid and inspiration. Mr. Marks was hoping to entice Mr. Kelly into creating something for the building’s facade. — NYT