The architects recognize that the armory as an exhibition space is a far cry from conventional “white cube” galleries, or what Mr. Herzog called “egocentric, architecturally driven museums.” But he said the spaces are likely to inspire artists, not limit them. “Artists have increasingly started to like strange places to put their art,” he said. “The specific conditions are unique and interesting and every artist is challenged to put his paintings or performances in such historic conditions.” — New York Times

"Migration has always been the vital essence of Mediterranean cities. New cultures have continued to be included in daily life, and they have fertilised and expressed themselves through complex urban forms with richness and imagination." - Giancarlo De Carlo — Domus Magazine

Given his stature, the demolition of Terminal 6 arguably ranks as the most significant loss of a transportation building in New York since Pennsylvania Station was razed in the early 1960s.

Mr. Cobb does not think of the two events as analogous, however. “This is not pure greed,” he said. “This is the myopic view of engineers. They just can’t figure out how to reuse it and they don’t put enough value on it to figure out how to reuse it.” — New York Times

Foster + Partners just announced they will be designing the new Kuwait International Airport - and they're aiming to make it the world's first LEED gold certified passenger terminal! The stunning design is sure to be an eye-catcher from both the ground and the sky, and it will raise the environmental bar for airports everywhere with a smart set of green features that will reduce the building's energy use and keep it cool in one of the hottest places on earth. — Inhabitat

“Design with the Other 90%: Cities,” the second in a series of themed exhibitions by Smithsonian’s Cooper-Hewitt, National Design Museum that demonstrate how design can address the world’s most critical issues, opens October 15 at the United Nations and runs through January 9, 2012. — bustler.net

Two blocks from the stately columns, arches and sculptures of Grand Central Terminal, a rogue band of architects is engaged in a retrograde venture: They're teaching a new generation how to draw and paint the elements of classical architecture—all those columns, arches and sculptures—with nothing more than pencils and paints on paper. No computers. Ever. — online.wsj.com

An unprecedented architectural public education event is going to take place in New York. After Rome, Moscow, Terni, and St. Petersburg, VELONIGHT, the unique project by professor Sergey Nikitin, founding director of Moskultprog, is inviting to explore the postwar cultural and architectural history of New York City on bicycles in the night between October 1 and 2. — VELONIGHT

Polymorphic is a fascinating kinetic installation designed and produced by ten architecture students from Columbia University GSAPP in New York City. The installation was created within Fast Pace/Slow Space, a course taught by Brigette Borders and Mark Bearak. [...] The design is comprised of a double-sided bench which transforms through a series of 119 unique and interconnected sections into a chaise lounge and finally an interactive balance board. — bustler.net

In 1972, Massimo Vignelli designed a diagrammatic map for the New York City subway. It was a radical departure. He replaced the serpentine maze of geographically accurate train routes with simple, bold bands of color that turned at 45- and 90-degree angles. [...] Its abstract representation of the routes was elegant but flawed. To make the map function effectively, a few geographic liberties were taken, something that didn’t sit well with New Yorkers. — tmagazine.blogs.nytimes.com

The showpiece is a staircase smack dab in the middle of the first-floor work room that leads to a second floor with a gaping white void painted red inside. Taranta says it's “reminiscent of a large droplet of water ready to fall from the ceiling.” Uh, yeah. If a “large droplet of water” looks exactly like a vagina. — fastcodesign.com

Today the California Academy of Sciences achieved a groundbreaking feat of sustainable design as the U.S. Green Building Council presented it with its second LEED Platinum certification, making it America’s first double platinum museum, and the world’s largest double platinum building. — Inhabitat