A dandy bedecked in flashy all-white outfits and a pince-nez, chain-smoking custom-made cigarettes that he ordered from a New York manufacturer in lots of 10,000... an early devotee of the motorcar, president of the local Automobile Club, and a notably fast and reckless driver... He paid his rent in gold coins, before moving to an opulently furnished, Oriental-themed downtown Kansas City apartment/studio building of his own design. — Places Journal
Why is Louis Curtiss so much less celebrated than Bernard Maybeck? On Places, Keith Eggener examines the career of the Kansas City architect, "designer of some of the earliest buildings in the world to employ caisson foundations, rolled steel columns and glass curtain-walls," who nonetheless... View full entry
We’ve received emails from people just starting out or thinking of going into architecture asking for advice. It gets heavy sometimes. People who have been laid off in the recession have also written to share their stories. One architect I know told me without irony that he wishes he had read it before starting out on this path. — metropolismag.com
Metropolis Magazine's Susan Szenasy interviews Archinect's own Guy Horton about his recently published book The Real Architect’s Handbook: Things I Didn’t Learn in Architecture School. View full entry
I would like to tell a short story—or perhaps not such a short story—about the reasons why I chose to become an architect. Exactly why this blog’s readers should be interested in my recollections about such a matter I cannot say, and perhaps I am mistaken in spinning out such a story here. Still, I feel compelled to do so and can only hope for the readers’ tolerance. — lebbeuswoods.wordpress.com
Scott Timberg wrote a piece for Salon examining how "One of the coolest creative-class careers has cratered with the economy". spaceman was surprised by some of the architects quoted and wrote "One successful architect feels ‘Very much like an immigrant worker,’ and another says, ‘We are making less than a cleaning lady.’ This seems a little over the top.”
Guy Horton, presented the first installment in a new reoccurring feature The CRIT, which will focus on architectural criticism, Thoughts on MoMA's Foreclosed: Rehousing the American Dream. Therein Guy offered this critique of the architects featured in MoMA’s upcoming exhibition "They were... View full entry
Some architects swear by Stanley Tigerman. Others, especially those who’ve been wounded by Tigerman’s biting criticisms, prefer to swear at him. In a disarmingly honest moment, the 81-year-old Chicago design maven tells a film interviewer: “There’ll be a lot of people, when I pass away, that’ll say, ‘He’s gone. Thank God!’ — featuresblogs.chicagotribune.com
One of the coolest creative-class careers has cratered with the economy. Where does architecture go from here? — salon.com
The most honest - and painful - report of what's happening in our profession that I've yet read. Including lots of quotes from Guy Horton, too! View full entry
The AIA New York Chapter recently announced seven promising and pioneering new architecture and design firms from the New York area to receive the New Practices New York 2012 awards. The seven selected firms are: Holler Architecture; The Living; Abruzzo Bodziak; SLO Architecture; formlessfinder; Marc Fornes & THEVERYMANY; Christian Wassman. — bustler.net
...will re-examine the built environment of the arid and semi-arid west as a vast field of opportunities for design innovation at a range of scales, from building systems to infrastructure and landscape spaces. The conference will present and debate a portfolio of design strategies generated in response to the challenges set forth in ALI's Drylands Design Initiative... — Arid Lands Institute
Registration is currently open for the forthcoming Drylands Design Conference being held March 22-24 at the Woodbury School of Architecture. This event is the conference part of the Drylands Design Competition you can see the work by the winners at the competition website here. View full entry
The 2012 Alvar Aalto Medal was awarded to Portuguese architect Paulo David last night at the World Design Capital Gala in Lahti, Finland. In the view of the jury, David’s architecture forms a convincing synthesis of contemporary and traditional architecture. — bustler.net
About three-quarters of the people who spoke favored renovating the existing pier or picking a "Mediterranean-style" design for a replacement. The ultra-modern design of "The Lens" did not draw support from most of the people who spoke.
"We are paying for $50 million for a sidewalk over the water," one commenter said.
"I wanted Mediterranean style. (I) feel we are being locked into (a design) that doesn't have any local flavor."
— oldnortheast.patch.com
In a way, my influences are eclectic. Music doesn’t make me want to go and design a house, in a way it’s a more physical pleasure. It’s maybe a break for me or a tunnel to something else. I’ve never had a lot of music in the office. To me music is to be listened to and art is to be looked at. I never understood that thing of using art as decoration. It has to mean something to me otherwise I wouldn’t have it. And I can’t work with music. I find it too stimulating in a way. — John Pawson, phaidon.com
Lindal Cedar Homes has just launched their Lindal Architects Collaborative, an innovative new prefab home collection featuring designs from the world's leading architects. The line, which will feature prefab systems designed by 12 architects, will not only make modern design more accessible, but will make architecture previously reserved for the more affluent financially accessible to the masses. — www.Inhabitat.com
While new firms will be added to the Collaborative each quarter throughout 2012 as they complete and introduce their designs, the first five have just been unveiled and include the likes of Marmol Radziner, Altius Architecture, Bates Masi + Architects, The Frank Lloyd Wright School of... View full entry
Within the parameters of the building art there cannot be artists like Saul Bellow and Philip Roth or like Sidney Lumet and Woody Allen, who in books and movies probe the excruciating details of the Jewish encounter with American capitalism and lifestyle. Architecture cannot tell stories about one’s Jewish mother or one’s Jewish nose. Especially in the era of high modernism, architecture possessed limited expressive resources for detailed cultural critique. — Places Journal
Is there a type of Jewish architecture that unifies the work of Louis Kahn, Peter Eisenman, Frank Gehry, and Daniel Libeskind? Architectural historian Mitchell Schwarzer reviews Gaven Rosenfeld's ambitious book, Building After Auschwitz: Jewish Architecture and the Memory of the Holocaust, and... View full entry
The board's long-range planning committee chose Holl, based in New York City and Beijing, after reviewing site-specific concepts from three internationally known architecture firms, including Snøhetta and Morphosis, according to a statement from board chair Cornelia Long. — chron.com
"You can have a grand dome and grand minaret, but if it doesn't really serve the purpose, if it only has a large prayer space and nothing else, then you're not really fulfilling the needs of the community," he says. — BBC News
In post 9/11 America the construction of new mosques in the US has sometimes sparked controversy and even confrontation. Is that why some new Muslim houses of worship are being built without the most recognisable features of Islamic architecture - minarets and domes? View full entry