London's Serpentine Gallery just released plans for the 2012 Serpentine Gallery Pavilion designed by Herzog & de Meuron and Ai Weiwei. This summer's pavilion, the twelfth commission in the gallery’s annual series, will be open to the public from June 1 to October 14, 2012. — bustler.net

What might happen at Seattle Center when Memorial Stadium goes away? Are there imaginative and unique uses for a large urban park? What is the Jelly Bean and why is it floating next to the Space Needle?
Join us Friday, May 11, for presentations by the finalists of a design competition, Urban Intervention, that explores the future of Seattle Center and public space. The lecture is free and open to the public, but tickets should be reserved in advance. — AIA Seattle

Elected officials in Goshen, N.Y., voted Thursday against a resolution to demolish and replace the Orange County Government Center by Paul Rudolph. Steven Ward, hoped “mr diana will now get behind this decision and determine how best to renovate to meet the needs of the community...score one for preservation of the modern!"

In Frank Lloyd Wright: Graphic Artist (public library), Penny Fowler examines Wright’s ingenious and bold graphic work — his covers for Liberty (some of which were so radical the magazine rejected them), his mural designs for Midway Gardens, his photographic experiments, his hand-drawn typographical studies, the jacket designs for his own publications, including The House Beautiful and An Autobiography, and a wealth more. — brainpickings.org

in professional practice, there’s a tendency to lose track of the initial spark that drew us to the profession and fall into a routine of designing similar projects for a familiar client type without thinking too deeply about it. It’s hard to make any money in the profession without a certain amount of repetition and standardization. So when a project comes along that challenges your values, that would be a good time to reconnect with the reasons you got into your profession in the first place. — thepolisblog.org

MASS Design Group is one of a handful of nonprofits showing that design isn’t just for the wealthy, nor is it just image-making. The challenge, for MASS and others trying to do public service design work, is to make their operations financially sustainable. As students, MASS provided much of their work on the Butaro Hospital pro bono, but they are not students anymore. The staff of MASS eclipsed 20 in the past year... — blog.sfgate.com

Beginning on May 19th, people will see the Barnes collection not where Barnes intended it to be seen, but in a new building designed by the New York architects Tod Williams and Billie Tsien.

This building won’t please the absolutists, the people we should probably call Barnes fundamentalists, because nothing would please them short of a return to the way things were. But it really ought to please everybody else, because—to cut to the chase—the new Barnes is absolutely wonderful. — vanityfair.com

Elected officials in Goshen, N.Y., voted Thursday against a resolution to demolish and replace the Orange County Government Center, a late-1960s building in the small Hudson Valley town that sparked debate on the value of modern architecture.

"I am deeply disappointed by the outcome of today's vote," Mr. Diana said in a written statement. — online.wsj.com

The Smithsonian’s Cooper-Hewitt, National Design Museum in New York will celebrate outstanding achievement in design this fall with its 13th annual National Design Awards program. Today, CooperHewitt Director Bill Moggridge announced the winners of the 2012 National Design Awards, which recognize excellence across a variety of disciplines. The award recipients will be honored at a gala dinner in mid-October in New York. — bustler.net

After spending last year traipsing below the border to break ground on his first few projects in Mexico, Richard Meier is heading below the equator to start his first South American project: a light, modernist office building in the beach-lined metropolis and future Olympic host city Rio de Janeiro. — ARTINFO

When Anne Griswold Tyng entered Radcliffe College in 1938, she had already found her calling: her faith was in architecture. “I was intensely drawn to the combination of science and art, of the pragmatic and aesthetic, of rigorous facts and intuitive leaps,” she wrote, looking back nearly 60 years later... In 1942, she enrolled in the first class to admit women at the Harvard Graduate School of Design, where she studied with Walter Gropius and Marcel Breuer... — nytimes.com

... instead of drawing his inspiration from buildings in his portfolio, Gehry designed the various pieces of this chess set based on their role in the game. So the soft curves of the queen contrast the sharp angles of the king, while the pawns have all been equipped with cannons atop them. Unfortunately the set, which is made from fine bone-china, is only available from Tiffany & Co. as a special order for a staggering $25,000. A check-mate to the bank account for most of us. — gizmodo.com

Archinect had the opportunity to speak with Tadao Ando. Check out the Interview: 20 Minutes with a Master. b3tadine[sutures] was so inspired that he posted three times and archaalto wrote "I sometimes imagine that millions of years from now when another intelligent species excavates the earth they find the ruins of Louis Kahn's and Tadao Ando's buildings, and maybe they'll think we had some grace and weren't just accidents waiting to happen.."

The American Academy in Rome recently announced the winners of the 116th annual Rome Prize Competition. Recipients of the 2012-2013 prizes are provided with a fellowship that includes a stipend, a study or studio, and room and board for a period of six months to two years in Rome, Italy. — bustler.net