In 2008, while conducting research on the work of celebrated modernist Kevin Roche (b. 1922), Yale School of Architecture associate professor Eeva-Liisa Pelkonen conducted a series of interviews with the architect in his Hamden, Connecticut, home. She included selections from the interviews in Kevin Roche: Architecture as Environment (Yale University Press, 2011), the monograph published in conjunction with the exhibition of the same name. — nbm.org

“If you go into the hardcore urban or the hardcore rural, it is quite simple to define it, but that is not so relevant. It is more significant to talk about the condition in between. And this condition is extremely difficult to define.” – Urban planner Kees Christiaanse in conversation with Bernd Upmeyer and Beatriz Ramo on behalf of MONU Magazine — Free Association Design

Orhan Ayyüce penned Review: Carlson-Reges House, RoTo Architects. In it Orhan described how Carlson-Reges House has grown out of logistics and a "story within a story". Steven Ward waxed nostalgic about the fact that he had an "opportunity to visit this house with mr rotondi in 2003. stunning - and completely unique. there really could never be anything else like it. and the brewery is a magic little 'neighborhood'."

Developed in Europe in the 1990s, cross-laminated timber, or CLT, is among the latest in a long line of “engineered” wood products that are strong and rigid enough to replace steel and concrete as structural elements in bigger buildings. Already popular in Europe, CLT is only beginning to catch on in North America, where proponents say buildings made with the panels could be a cheaper and environmentally friendly alternative to structures made with those other materials. — New York Times

the canopy covers 11,000 square feet of an easement in Battery Park City; effectively, North End Way is a north-south passageway or alley, lined with shops and restaurants. Part of what makes this a notable public space is the quality of construction... But it’s the canopy, which Goldman also commissioned, that formally elevates what is really just a gap between two buildings into something almost as inspired as the nave of a great Gothic cathedral. — New York Times

Charles Renfro, AIA, is a Partner at Diller Scofidio + Renfro, a 75 person interdisciplinary design studio that integrates the performing arts, visual arts, and architecture. — vimeo.com

A bunch of bees is inspiring what seems to escape so many people in Buffalo: waterfront development.

With the help of a group of University at Buffalo architecture students, a local entrepreneur hopes to build on a giant bee hive he discovered in an abandoned office and turn a portion of Buffalo's historic waterfront into a design campus where manufacturers, architects and others will collaborate and mastermind new ways to use locally made materials — Buffalo News

In December 2009, at the "SportAccord" marketing trade show held in Denver, a pair of young Qataris walked up to the Albert Speer & Partners booth, flipped through the brochures and soon realized that the Frankfurt-based firm specialized in very large-scale projects with a focus on sustainability. — Der Spiegel

Ai Weiwei will not attend the opening tomorrow of his architectural debut in London. One of the most important artists in the world today, and certainly the most famous Chinese artist, Ai has been under “city arrest” in Beijing since last year, unable to leave the Chinese capital and under constant surveillance from the Communist Party regime. He is accused of tax avoidance but many suspect his treatment is in retaliation for his outspoken and frequent criticism of the Chinese government. — London Evening Standard

The Serpentine Gallery Pavilion in London, designed by Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei, was presented to the press today before it will officially open to the public tomorrow, June 1. — bustler.net

“It was not typically a type of project we normally do,” says Dukho Yeon, the firm’s associate partner-in-charge on Teachers Village. “This was part of basically everybody including the investors giving back to the city of Newark.” — Fast Company

Low resolution rough cut of footage I shot at the CCTV building in Beijing in Feb 2012. This footage is part of a documentary I am making about my father Rem Koolhaas. — Tomas Koolhaas, via vimeo.com

In Still Ugly After All These Years: A Close Reading of Peter Eisenman’s Wexner Center, Alexander Maymind argued the center's "grid-based diagrams instantiate disestablishment effects[2]...hinge on a particular aesthetic reading of architectural ugliness." 18x32 responded "I like where you've gone with the 'Ugly' here, but I don't think this building offers the best example. Nothing about Wexner is viscerally repellant, abhorrent or disgusting."