MovingCities interviews Dutch architect John van de Water – NEXT ARCHITECTS China – about his book “You can’t change China, China changes you” [010 publisher, 2012]. The book is a a formidable page-turner telling the story of a three-year long architectural discovery... View full entry
Yesterday's gray sky and drizzle couldn't keep anxious press away from the rooftop of the Metropolitan Museum of Art where Argentine artist and architect Tomas Saraceno was officially debuting his new project "Cloud City". A sculptural constellation of 16 geodesic pods, Cloud City "floats" above the museum's roof anchored by steel cables... The futuristic construction features over 100 planes... — Inhabitat
Congrats to Jimenez for getting his project funded, with minutes remaining. Can't wait to see the results! View full entry
Deep in the belly of New York’s subway system, a beautiful untouched station resides that has been forgotten for years with only a limited few knowing of its existence. Stunning decoration with tall tiled arches, brass fixtures and skylights run across the entire curve of the station, almost a miniature imitation of Grand Central Station… — travelettes.net
This 34,000-square-foot regional health facility located in an under-served neighborhood in southwest Atlanta combines under one roof a primary care clinic, a behavioral health clinic, childcare facilities, a dental clinic and a workforce community center. In doing so, it projects a holistic idea... View full entry
To some, it seemed an unlikely fit, Gehry designing a memorial honoring Ike, but that impression was always based on two misunderstandings. There is a vulgar idea that Gehry is all about flamboyant buildings, radical structures acclaimed by critics but derided by common sense. The popular perception of Ike is no more accurate. — washingtonpost.com
For retailers, daylight offered one additional advantage the advertisements did not mention: the implication of moral virtue. Large department stores were described as cesspools of fraud, filth, poor working conditions, child labor, anti-competitiveness, potential press censorship (because of their advertising clout), disease, drunkenness, savagery, prostitution, suicide and darkness. A well-lit interior, it was said, could do much to counter such negative associations. — Places Journal
Earlier this year on Places, Keith Eggener assessed the career of the now forgotten early 20th-century Kansas City architect Louis Curtiss, and argued that Curtiss's obscurity has less to do with intrinsic merit than with the politics of professional reputation. In a new article... View full entry
The latest Showcase feature profiles the Summer House in Austria by Judith Benzer Architektur, the design of which is oriented by the cubature of the Kellerstöckel (wine house), typical of the Southern Burgenland region. stroke123 liked it but wondered "how does the roof shed water? Waterproof membrane and concealed gutters and downspouts?".
The latest Showcase feature profiles the Summer House in Austria by Judith Benzer Architektur, the design of which is oriented by the cubature of the Kellerstöckel (wine house), typical of the Southern Burgenland region. I particularly loved the detailing for sharp edges of the cubature... View full entry
McCoy had the opportunity to create a school and then witness its foibles, its meanderings, and opine about its legacy. — Architectural Record
Alexandra Lange reviews the recently published Piecing Together Los Angeles: An Esther McCoy Reader. The book is the first published collection of her writings and includes out-of-print essays, articles, short stories, as well as previously unpublished lectures, correspondence, and... View full entry
while there are many moments of breathtaking refinement, and the galleries themselves are a revelation, the result is sadly - no, tragically - a long way from being a successful addition to the city. — Philadelphia Inquirer
Inga Saffron reviews the new building, and the relocated Albert Barnes Foundation, by architects Tod Williams and Billie Tsien. View full entry
When architects and designers are called in to redesign a space that already exists for a specific reason and their goal is to reinvent that space for an entirely different use, professionals are faced with a duality of responsibility and potential. In order to respect what once was and bring truth and beauty to the space that is without time or purpose, the task at hand becomes visceral. Questions arise as to how we want people to feel in this space. — yatzer.com
“As a housing commissioner we feel like we’re trying to plug a lot of leaks in the dike,” said Nick Fish, a Portland city commissioner in charge of the housing bureau and parks and recreation. And the city’s budget has still not recovered from the downturn. Habitat, especially in east Portland, he said, is filling the gap. — NYT
Kirk Johnson examines how a depressed real estate market on Portland along with a recent gift by local businessman John Gray, has enabled Habitat, the nonprofit housing group, to think big. The organization has been buying up property on the city’s struggling east side in the process... View full entry
Before the recession and the return of architectural probity, the phrase "like an alien spaceship" was all over architecture journalism like a cheap suit. Faced with anything that didn't look like a brick box, critics and headline writers would ransack their imaginations before inevitably reaching for the extra-terrestrial. — Guardian
As the newly restored first edition goes on show, Justin McGuirk explores an emblem of 1960s architectural utopianism, the Futuro house, designed by Finnish architect Matti Suuronen in 1968. If you would like to visit the cabin number 001, it went on show last week at the Weegee... View full entry
Victoria Newhouse - "aesthetically I think they are greatly improved from what we had before...they're smaller and more intimate...more inviting...they are acoustically improved...and many of them have the ability to be reconfigured...all of this leads to a very exciting scene" — Charlie Rose
Victoria Newhouse author of The Architecture and Acoustics of New Opera Houses and Concert Halls along with Daniel Libeskind, Michael Kaiser and Renee Fleming were on Charlie Rose last month, to discuss the current explosion of "literally hundreds" of new opera houses and concert halls... View full entry
Architecture critics are in a particular bind. Like art critics but unlike, say, those of film, they must swim in the same social sea as their targets. Further, because useful architectural criticism requires experience of the design process, they must also be prepared to offend those by whom they might otherwise be employed. — theage.com.au