Michelangelo Antonioni and Ingmar Bergman, who died hours apart on Monday, represented the twin poles of depressive art cinema. Both were pessimistic existentialists, but while Antonioni wrestled with the Big Questions, he never deigned to answer them. His films were as brooding as Bergman's, but they were also more enigmatic, and more glamorous. Slate | previously Antonioni | Bergman
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