The Shed at New York City’s Hudson Yards has unveiled plans for a new, temporary 65-foot spherical concert hall feature to be placed inside the arts venue’s McCourt performance space this summer.
The space is the product of architectural designers Ed Cooke, Merijn Royaards, and Nicholas Christie and has previously been enacted at the 2022 Burning Man festival and ten other venues.
Lounge-type seating is combined with a listening platform that's suspended 34 feet off the ground. Standing sections and a netted center complete the spatial design, with a capacity for 250 persons, a JBL sound system, and lighting design from Polina Zakh. The space was supposedly inspired by Karlheinz Stockhausen’s 1970 Kugelauditorium for the World Expo in Japan that same year.
Royaards explains: “My first experience of clubbing was during a cold winter in early ’90s Rotterdam. The interference patterns of visual, sonic, and kinetic waveform transmissions that flooded the dance floor and enveloped me were deeply transformative. Along the dance floor’s perimeter, bass-bins sent out shock waves that rattled your ribcage and tweeter horns above them fired a percussive hailstorm into the twitching crowd.”
“Waveform transmissions collided as ephemeral geometries that liquefied the physical architecture, turning the shadows on the walls into windows to infinity,” he continues. “Sound and space had switched sides; steel and concrete were evanescent, and the DJ was an architect. It was my first experience of how the combined forces of music, light, and collectivity can suspend the laws of physics. Sonic Sphere is a sensory laboratory that does exactly that; it bends time, expands consciousness, and punctures our perception of reality.”
Detroit techno legend Carl Craig and electronic music producers Yaeji and The xx will join other headliners on a curated playlist that complements a series of 45-minute performances that take place during its four-week run. The space opens on June 9th and will remain open through July 7th. Tickets are available online. The New York Times has a longer interview with Sonic Space’s design team here.
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