France’s pavilion to the 18th International Architecture Exhibition at the Venice Biennale will feature an immersive interchange of identity and emotion inspired by ballroom dances and human rituals of experience-based social cohesion.
French studio Muoto partnered with scenographers Georgi Stanishev and Clémence La Sagna for the design of Ball Theater, which they say ties into curator Lesley Lokko’s thematic look to the future where “architecture is no longer to represent or to be represented as an image.”
Their project for the Ministry of Culture and the Ministry of Europe and Foreign Affairs takes the form of a semi-spherical intervention that’s configurable for different immersive experiences all based around Ball Theater’s usage as a forum for artistic performances and civic inquiry.
Special events will be held in its hollowed chamber space, taking after the social spaces that began springing up in Harlem in the 1920s and 30s. A week-long rotation of artists, researchers, students, and other intellectuals will inhabit the space once a month in order to activate it as a vehicle for discussions on the environment and other pressing topics.
Muoto describes: “Entering the pavilion, the first thing visitors see is the exterior of the half-sphere, surfaced with a layer of silvered aluminum. The object appears looks immense. One wonders how it managed to get in here.”
“As they move around it, visitors encounter a hollow interior, a steel structure, tiered plywood seating, a silvered fabric curtain and a stage with an active microphone. Above the whole structure hangs a triangular beam supporting a few projectors. The virtual circle of the sphere is interrupted by a stool and two-tiered seats. The lower part of the stage can be configured in different ways, with a low, circular, movable podium where the public can sit and have access to the middle of the stage, as well as a higher platform for the guest artists.”
The exhibition opens on May 20th and will remain on view until the Biennale closes on November 26th.
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