The fourth edition of Desert X kicked off earlier this month in Southern California’s Coachella Valley with 12 site-specific installations that focus on ecology and the global social and economic consequences of climate change.
Artists were challenged by the “desert, its beauty, harshness, and ever-changing environment,” according to the event’s founder and President Susan Davis. Their responses included evocations of childhood memory, Native American customs, free trade, conspiracy theories, and popularized notions of the American West, among other inspirations.
“Desert X 2023 can be seen as a collection of artistic interventions that make visible how our energy has a transference far beyond what we see just in front of us in our own localities,” co-curator Diana Campbell says. “From deserts to floodplains, finding, building and developing tools and tactics to shelter our minds and bodies from the harshness of the world outside are essential to survival."
"In a time of global crisis," she continued, "many of the artists have created spaces of freedom and possibility, suggesting new ways to build healing cultures of care that embrace and protect (bio)diversity, opening up opportunities for joy and hope anchored in justice. Immersing ourselves in the stories of place also awakens us to its mythologies, whether they be religious texts and oral traditions across multitudes of belief systems that see us creating vessels to escape the flood as well as being cast into the arid wilderness to test the limits of existential and spiritual survival.”
This year's Desert X participating artists include Soan medalist Marina Tabassum, Rana Begum, Lauren Bon, Gerald Clarke, Paloma Contreras Lomas, Torkwase Dyson, Mario García Torres, Hylozoic/Desires, Matt Johnson, Tyre D. Nicholas, Tschabalala Self, and Héctor Zamora.
Billboards featuring the photographic work of the late Memphis artist, Tyre Nicholas, were also included in this year's programming with the intention of raising awareness for California's SB 50, which looks to reduce police violence by eliminating the same kinds of minor traffic stops that led to his death.
Desert X Artistic Director Neville Wakefield said of the cohort: “There’s a saying attributed to the Kwakwaka’wakw nation that a place is a story happening many times. This idea of place as the multiplicity of stories flowing through it is central to Desert X. [The] artists are an essential part of this understanding, and the ideas they bring to it irrigate our perception of place, nourishing the narratives already there and propagating those that have yet to be told.”
The installations will remain on view through May 7th at sites in Desert Hot Springs, Palm Desert, and Palm Springs, a pared-down footprint for an exhibition whose organizers say was ironically the product of inflation and other economic realities.
A map of each artwork’s location can be found here. Admission to the event is free. Visitors are also encouraged to check details for each artist’s work at www.desertx.org.
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