Here again were bare untiled floors and the constant presence of wind and earth. There was a stillness, a permanent air of afternoon and an interior that was magically cooler and airier than the exterior it felt so much at peace with. The site sloped downward, so the house had been set on many levels. — T Magazine
A profile of Bijoy Jain and the work of Studio Mumbai, wherein we learn Bijoy is a fan of Masanobu Fukuoka and the idea of subtraction.
3 Comments
Beautiful work.
Thanks, Nam. Great work, great article. I've been struck by other work from India of late and wouldn't mind seeing more featured. Recently, Samira Rathod's school of dancing arches:
https://www.archdaily.com/9234...
Agree and that is a great project and more beautiful brick!
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