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Here again were bare untiled floors and the constant presence of wind and earth. There was a stillness, a permanent air of afternoon and an interior that was magically cooler and airier than the exterior it felt so much at peace with. The site sloped downward, so the house had been set on many levels. — T Magazine
A profile of Bijoy Jain and the work of Studio Mumbai, wherein we learn Bijoy is a fan of Masanobu Fukuoka and the idea of subtraction. View full entry
