Amid today’s polarizing political noise, Wrightwood 659 offers a comparable oasis.
The building greets the visitor with a refurbished facade adorned with arches, festoons and other Beaux-Arts details. But the decorous facade turns out to be a mask. [...]
Upstairs are clean-lined, contemplative galleries —“white boxes with a twist,” you might call them — filled with a trove of material about Corbusier and Ando.
— Chicago Tribune
Tribune architecture critic Blair Kamin shares his impressions from the opening night at Tadao Ando's new Wrightwood 659 art venue in Chicago as well as its inaugural exhibition Ando and Le Corbusier: Masters of Architecture—and the review is full of praise: "The space is so good that it compels you to set aside the contradiction of a self-professed anti-elitist architect laboring once more in the service of a wealthy man," Kamin writes.
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