I slowly became more and more of a storyteller and less and less of a painter until I embraced film-making as the only profession that really included everything I liked. It was photography and architecture, music and writing and acting—everything I liked together into one package that was called “film-making”. — The Economist
In an interview with The Economist, film director Wim Wenders speaks about the relationship of landscape and architecture in his work, and how focusing on a scene absent of anyone often amplifies the stories of everyone.
"I try to make places tell their stories about us," he says. Indeed: from "Paris, Texas" to "Wings of Desire" to "Pina," Wenders' filmmaking agilely pairs emotional and physical terrain.
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