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The majority of the models were far from pristine. Architectural maquettes are often only used to quickly communicate an idea; longevity of materials such as chipboard or Plexiglas is rarely a concern. So, when Moody set out to restore the 14 models in MoMA’s archive (the museum holds the three-dimensional works of Wright’s massive archive), she was faced with missing elements, acidified paper, warping, and discoloration, among other issues. — Metropolis
Exploring lesser-known parts of Wright’s 70-year-long career, MoMA's new exhibition, Frank Lloyd Wright at 150: Unpacking the Archive (on view through October 1, 2017) presents projects for an experimental farm and a series of rural school buildings in the segregated South. Besides that, the... View full entry