Creating a cohesive connection between a shingle cottage and Richard Meier-designed contemporary house in Mount Kisco was the goal of the current owners, who have owned the property for 25 years — The Wall Street Journal

Richard Meier is returning to his roots with two new developments in New Jersey, where he grew up. — The New York Times

A 28-year-old Richard Meier received his first and by far most modest commission from the artist Saul Lambert back in 1962. “Lambert had purchased a very small site on the ocean, on Fire Island,” says Meier, “and said, ‘We don’t have very much money—actually, we have $9,000 to spend on the construction of this house. Could you design something for us?’ ” — New York Magazine

Meier supplied the project’s master plan, doing without the sculptural gymnastics he’s known for -- at the Getty Museum in Los Angeles and elsewhere -- to keep costs down.

The firm designed a clean-lined four-story box, one of the first two buildings that have opened for the present school term.

Rough and smooth brick patterns echo a mix of clear and translucent glass to make a surface composition as rich as a Mondrian painting. — Bloomberg

Balancing Meier’s familiar white metal panels with a rich, iron spot brick, the architects were careful to break down the massing of the contemporary buildings, not exceeding a height of 60 feet in front, in keeping with the Newark Living Downtown Plan. — Architectural Record

You learn with experience the things that are not worth doing. Most architects think, no matter what, they can make something out of any commission. For example, I don’t do prisons or hospitals, or restoration work. I do know, by now, who I am. And by now at least clients come to us with their eyes open. They don’t expect something we don’t do. — Architectural Record

"Sometimes if you do a competition, you know you’re taking a risk of it not happening. Many of them that we’ve done remain unbuilt for us, and unbuilt for anyone. We always look at competitions very carefully to try and determine whether it’s just emotion on the part of the sponsors or it's something real." — DWELL

The 14-year battle over the fate of the modern structure at the heart of Gettysburg National Military Park is over, as the National Park Service will begin demolishing the Richard Neutra designed Cyclorama building as soon as February. A disappointed Donna Sink argued "How can destroying what is truly a unique piece of art while allowing KFC to be visible from the battleground furthering our appreciation of the tragedy of this battle?"

Developers in San Francisco are loath to take architectural risks because the city’s approval process for new development is long and rigorous, perhaps the most onerous in the country, architects say.

It’s hard to fault their caution when you consider how small San Francisco really is — 47 square miles (Manhattan alone is 23 square miles) — with much of the area consumed by neighborhoods zoned for single-family homes. — The New York Times

Illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli reflect on their respective crafts, city life, and enduring friendship in this mesmeric film by Johnnie Shand Kydd. — NOWNESS.com

Richard Meier is managing partner of New York's Richard Meier & Partners Architects. His residential designs, starting with the Smith House in Darien Conn., in 1967, are known for their white surfaces, floor-to-ceiling windows and views of the landscape. He recently spoke to Marc Myers about his East Hampton farmhouse. — The Wall Street Journal

“Why do they come to us? Because of 15 Central Park West,” Mr. Stern, 73, said earlier this month from his office on the West Side of Manhattan. The Chinese “don’t want to go home at night to their three-bedroom shelf on the 44th floor,” he added. “They want to live in a place. That’s what we do: we’re place-makers.” — nytimes.com

"I was very fortunate because the first building in Germany was the Museum for Applied Art, which was a competition that I won. After that I was invited to do other competitions. There's an appreciation for architecture in Germany that doesn't exist in many other places." — Deutsche Welle