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Inside 516 Sampsonia Way, a 19th-century row house in the Mexican War Streets neighborhood, there no longer appear to be any 90-degree angles. Any corners have become cavernous and rounded from the innumerable lines of yarn of Chiharu Shiota’s Trace of Memory, creating acute and obtuse angles.
And while some people try to cleanse spaces or their superstitious gateways by sageing doorways, this installation does the opposite, appealing to some kind of liminal god to crack open time
— hyperallergic.com
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