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[Sara Zewde] argues that while the traditional monument commemorates a singular event or individual by placing an object in a space that is a break from its surroundings, the 400-year practice of African enslavement demands a different approach.
“For Afro-descended people, you wake up every day with the legacy of slavery,” she says. “How do you deal with that spatially?”
One approach is to translate cultural practices into spatial ones.
— Next City