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I think of architecture as embodied art. It's about holistically experiencing our world through all of our senses, and so architecture is the perfect matrix for considering neuroaesthetics. The same parts of your brain that teach you to think about the future are the same ones that are manipulated by your experience of space. The better your space is, the better you are going to be. — STIRworld
The outsized impact architectural forms have on the human psyche is still a growing field of research and has been behind Suchi Reddy’s recent installations at the Salone del Mobile and Smithsonian Institution as well as her ethereal design for the first Google storefront in New... View full entry
Symbolizing mountain ranges in architecture has the potential for a dramatic, iconic payoff, especially when the materials used to do so play an integral role in the interior experience of the building (think: the fabric peaks of the Denver International Airport, which allude to the Rocky... View full entry
South of San Francisco, a whole town is being deformed by plate tectonics. [...]
This is Hollister, California, a town being broken in two slowly, relentlessly, and in real time by an effect known as “fault creep.” A surreal tide of deformation has appeared throughout the city.
As if its grid of streets and single-family homes was actually built on an ice floe, the entire west half of Hollister is moving north along the Calaveras Fault, leaving its eastern streets behind.
— bldgblog.blogspot.com
[...] "wooden textiles" by designer Elisa Strozyk are a beautiful and surprisingly simple rethinking of the idea of a textile—and they have some interesting implications for terrain modeling and even gaming [...] Strozyk writes that she wanted to find "a new tactile experience" for wood, which she achieved by producing wooden tiles that "are then attached to a textile base. Depending on the geometry and size of the tiles each design shows a different behavior regarding flexibility and mobility." — BLDGBLOG