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"Industry and the Sleepwatchers" by artist Jay Senetchko from Vancouver, BC is a three-part art installation based on a poignant narrative of paintings that re-imagines the everyday lives of the artist's paternal grandmother Ann Senetchko and her husband Pete Senetchko, who was involved in the... View full entry
Jason Scroggin, of Lexington, KY-based Design Office Takebayashi Scroggin (D.O.T.S.), has shared with us the project The PLAY LOUNGE—the result of a fabrication course Scroggin taught last Spring at The University of Kentucky College of Design, School of Architecture. The resulting objects... View full entry
Nearly eight years after opening, Prada Marfa has been classified by the Texas Department of Transportation as an “illegal outdoor advertising sign” because it displays the Prada logo on land where that is prohibited. This could lead to forced removal of the installation, although the department has not yet decided what action it will take. — nytimes.com
UPDATE: Prada Marfa saved View full entry
“It is amazing to realize you could walk around the site not knowing if there is a body underneath you,” Nelson said. “How do you commemorate that?” — The Seattle Times
Of the approximately 200 people buried at Saar Pioneer Cemetery, there are 89 unmarked graves, each unable to inform visitors of their presence and the role they played in Kent history. Collaborative artists Frances Nelson and Bradly Gunn seek to mark the unmarked by creating a series... View full entry
The winners for the TIMBER New England Design + Fabrication competition were recently announced on TIMBER's website. Entrants had to propose a site specific installation inspired by traditional New England building and crafting, using engineered lumber or heavy timber. Each winning team will be paired with an architectural firm, a structural engineer, and a material supplier—and $7,500—to have their proposals realized at the URBAN TIMBER exhibit at BSA Space, opening in February 2014. — bustler.net
Here are the winning projects and teams: Four Corners by Ultramoderne Coopered Column by Timothy Olson Duck-Work by Sean Gaffney and Christina Nguyen M2X3 by Gen Y Design Collaborative / Jeffery Lee, Christopher Taurasi and Lexi White The mentoring firms who will help the winners develop their... View full entry
Artist and architect Tomás Saraceno [...] created a massive layered installation that’s suspended more than 25 meters (approx. 82 feet) in the air of the Kunstsammlung Nordrhein-Westfalen museum in Düsseldorf, Germany. “in orbit” stretches across the piazza under the mammoth glass ceiling of the K21 Ständehaus with its three levels of steel wire netting. Situated on the three levels are six inflated spheres that range in size, with the largest being 27 feet in diameter. — design-milk.com
Previously: Tomas Sarceno's Met Museum Rooftop Installation 'Cloud City' Now Open View full entry
Philip Beesley is a Canada-based architect who has spent years blurring the lines between nature and technology. In 2008, he began work on the Hyozolic series — a collection of immersive installations that react to, and evolve with, the movements of people who pass through them. The idea, according to Beesley, is to create a "metabolic architecture," whereby manmade structures are seen not as inanimate, fixed objects, but as living, breathing entities, capable of regeneration and growth. — theverge.com
The most recent addition to the Hyozolic series, Radiant Soil, debuted earlier this summer at the EDF Fondation in Paris, France. View full entry
Euphony, a dramatic installation of suspended stainless-steel ball chains by Ball-Nogues, has been created for Nashville's Music City Center. The studio, headed by Benjamin Ball and Gaston Nogues, intersects the disciplines of architecture, art and industrial design. We talk to Benjamin Ball about Euphony and the process of its construction. — frameweb.com
In celebration of Hopper Drawing, a life-size window installation of Edward Hopper’s Nighthawks (1942) is on view inside the landmark Flatiron Building's prow, one of the original architectural inspirations for the iconic painting. We recommend viewing it at sunset! — whitneymuseum.tumblr.com
bam! bottega di architettura metropolitana recently completed He, the winning installation of the Young Architects Program (YAP) MAXXI 2013 in Rome — bustler.net
Previously on Archinect: bam! bottega di architettura metropolitana wins YAP MAXXI 2013 YAP MAXXI 2013: five finalists announced View full entry
Wainwright -
"So Leandro we are sitting on a window ledge in Dalston. Can you tell us why we're here?
Erlich -
"The idea is to create a facade that will resemble the architecture of the . . . neighborhood and um - that has always been part of my interest to bring the ordinary architecture as a stage for the public to participate in a kind of fiction that would be built through the experience."
— The Guardian
Though edging on the sphere of art, Erlich's Dalston House provides a publicly accessible perversion of what would otherwise be banal architecture. This project uses that unexpected architectural content to foster rich narratives both as unique experiences and serendipitous performances. As... View full entry
Anya Sirota + AKOAKI, a design studio based in Michigan, has installed two monumental stars in a defunct tannery in Amilly, France. Titled POP IT UP, the installation is open to the public through September 29, 2013. — bustler.net
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.Today's top images (in no particular order) are from the board Art-chitecture.↑ The Cathedral by Jason... View full entry
... we have turned the Gherkin into the worlds tallest penis. A penis that is being gratified by our parliament with a sexual act. A 180m high erection for deregulation and global capitalism. We have created this art work for all those that are suffering cuts to their budgets, benefits, working hours, rights, freedoms and quality of life as Parliament perpetuates the age old practice of taxing the poor for the mistakes of the rich. — vimeo.com
Richard Koshalek, the director of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden in Washington, said on Thursday that he was resigning after the board of trustees failed to reach a consensus on the future of a long-planned project to cover the museum’s interior courtyard with a temporary inflatable bubble. — artsbeat.blogs.nytimes.com
