But like other architects of his generation, especially those who formed many of their ideas working in Los Angeles’s sprawling suburban maze, Mr. Denari is less interested in perpetuating the myth of the open road than in mining it for new ideas. His work has more to do with exploring adolescent fantasies than with celebrating personal freedom. It suggests a longing for a world — free, open, upwardly mobile — that began to break down more than 30 years ago. — nytimes.com

For all its dynamism, precision and intelligence, there has always been something a bit antiseptic about Denari's work, as if it were hermetically sealed against emotion as well as imperfection. The New York building, with its fluid, digitally derived profile and facade of glass and panels of embossed stainless steel, won't dramatically change that impression. Its design personality is closer to robotic than balletic. — Christopher Hawthorne, Los Angeles Times