As City—Michael Heizer’s vast Land Art installation in the Nevada desert—nears completion, the fate of the federally protected land surrounding it could soon be decided. Ryan Zinke, the US Interior Secretary, visited the state on Sunday, 30 July, as part of a review of 27 national monuments ordered by President Donald Trump, which could result in some of these lands being reopened to development. — theartnewspaper.com

Amid the dust and clamor is the steel skeleton of Aitken’s “Mirage,” which takes the form of a 1960s-style suburban California ranch house. The seven-room structure, to be fully mirrored on the outside and inside, is perched on a hillside with city and desert views, which are key to the piece. The structure has gaping holes where doors and windows might be, and its interior walls are built on angles to reflect the sky and contrasting surrounding terrain... — The L.A. Times

When a group of Burners describing themselves as the Black Rock City Ministry of Urban Planning announced a design competition last fall for a new urban plan for Burning Man, Phil Walker had never given the matter much thought.

“I’m actually not a Burner. I’ve never done it,” says Walker, the senior associate vice president for CallisonRTKL, an architecture firm and design consultancy. “Maybe a bit of vicarious living for a middle-aged suburban dad is what appealed to me.” — citylab.com

An hour south from the bright lights of the Las Vegas strip, a tiny town in Nevada is up for sale.

Cal-Nev-Ari, Nev. (pronounced Cal-Nev-Air) is off a lonely stretch of Highway 95, surrounded by distant mountains and endless desert. The town isn't far from the California and Arizona borders [...].

If you can afford the $8 million asking price, you'll get the airstrip, the diner and the town's only casino. That includes a dozen old slot machines and a smokey bar. This place has character. — npr.org

Scott Slater has a plan. It is not a popular plan, but he wants to pump 814bn gallons of water from under the Mojave desert to Los Angeles and other drought-stricken communities in southern California, and make more than $2bn doing so...In addition to environmental concerns, others object to a private company being able to make billions from water. Slater says they do not understand the law, which in California states no entity can own water but they can buy, sell and trade the right to use it. — The Guardian

Cairo is an unruly urban sprawl that has spun out of control. Now, officials want to build a new capital in the desert -- a potent symbol of President Sisi's regime. But will it ever happen? [...]

The old Cairo is an ugly city, an affront to the senses. [...] a city of contradictions, created from the bottom up, even though that had never been the intention. It has been growing wildly since the 1960s -- from 3.5 million back then to 18 million now -- against the will of the country's rulers. — spiegel.de

'His signature style helped bring Palm Springs to the international stage and his body of work is still as fresh today as when first created...' — The Desert Sun

For decades, tourists have been coming to Southern California's Coachella Valley, drawn by spectacular mountain vistas, great weather and lush landscapes.

Those landscapes have been, for the most part, man-made — an artificial oasis in a land of desert. [...]

As California enters a fourth year of drought and state and local water officials unveil a series of conservation dictates, at least some hotels in the valley — big and small — have begun launching water conservation measures. — USA Today

[Barclay's] plan, to fabricate a “master-planned community” for nearly 100,000 people on what is today a field of sand dunes, is called Santolina. If fully populated, the development would be about the size of New Mexico’s current second-largest city, Las Cruces, and bigger than Santa Fe [...]

Columbia University’s Earth Institute points to 2050 as a time when the drought will begin to worsen dramatically, right around when Santolina planners predict the development could approach full capacity — theguardian.com

Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker