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It's like the furniture version of ASMR. This short video from Vitra shows the materials of an Eames Lounge Chair coming together: Mores Eames on Archinect: A “terrible, enjoyable bloody business”: the influential films of Charles and Ray EamesCharles and Ray Eames Explain the Computer... View full entry
As a new exhibition at the Barbican in London shows, by the mid 1950s [Charles and Ray Eames] were producing films and multimedia presentations that are as much part of their formal and intellectual legacy as their furniture or the glass-walled Eames house itself. [...]
the Eameses never conceived of the hundred or so films they made as movies per se, or even as experimental films. “They’re just attempts to get across an idea,” Charles claimed
— theguardian.com
Watch a select few of the Eames' "hundred or so" films below: "House" (1955): "Tops" (1969): "Powers of 10" (1977): View full entry
A sausage as tall as you are. A skin cell the size of a dinner plate. The universe, in a glittery fan. These are a few of the props used by Andrés Jaque, founding architect of the Office for Political Innovation, in his "Superpowers of Ten" performance – a play staged on the ground floor of the... View full entry
As with any great architecture, furniture design is a nimble synthesis of form and function. In the case of chairs, some designers have artfully combined both to create visually striking objects that are actually comfortable to sit and work in. The Eames line of chairs has of course received... View full entry
Inside the soon-to-be-demolished A+D Museum in Los Angeles, a small group gathered last week for a conversation with Susan S. Szenasy, the Editor-in-Chief of Metropolis Magazine, followed by a signing of her new book of collected writings, Szenasy, Design Advocate. The talk is likely the last the... View full entry
Unlike Rietveld’s complex interplay of layered planes, the Eameses, looking towards more commercial approaches to middle-class housing, created something more like the box that Rietveld was trying to escape. — ft.com
Given the hip-hop elite's affiliation with prestige brands – from Cristal to Courvoisier, from Louis Vuitton to Lamborghini – you'd think they'd be similarly discerning when it comes to architecture. But that's not always the case, especially when it comes to the biggest stars of all. — guardian.co.uk
Presented with an Eames molded plastic chair, 30 San Antonio based designers and architects transformed the modern icon into a canvas for art. — hermanmiller.com
Charles and Ray Eames, designers of the classic Eames lounge chair and major contributors to 20th century architecture and furniture designs, also dabbled in the mediums of film and animation. The Information Machine, sponsored by IBM, attempted to explain how and why the computer revolution was occurring and how it benefited regular people who, at that time, may not have ever even seen one in person. — gizmodo.com
As Cube would say, "today was a good day". Not only does Oscar Niemeyer turn an astounding 104 years old today, but the late/great Ray Eames was also born 99 years ago today. Somebody get my credit card, I need to buy some candles. View full entry
In the late ’80s, before he became famous as a member of the Compton, Calif., gangsta-rap group N.W.A., Ice Cube studied architectural drafting at a trade school in Arizona. This biographical detail makes the rapper’s appearance in a new video celebrating midcentury design icons Charles and Ray Eames only slightly less incongruous. — NYT
Related View full entry
The Eames made structure and nature one. This is going green 1949 style, bitch. Believe that. — Ice Cube
Ice Cube drives Inglewood blvd. describing the Los Angeles that he knows. He talks of landmarks like The Forum, Five Torches, Cockatoo Inn, Brolly Hut, and Watts Towers. He refers to the 110 as "Gangsta Highway". Cube says coming from South Central LA teaches you how to be resourceful. The video... View full entry
...the most gratifying thing about “Eames” is that it shows, in marvelous detail, how their work was an extension of themselves and how their distinct personalities melded into a unique and protean force. The film is also appropriately busy and abundant: full of objects, information, stories and people, organized with hectic elegance. — movies.nytimes.com
All over Los Angeles, the places where artists, architects and engineers were busy in the postwar years inventing the future are being recast as monuments and historical shrines.
This new attitude toward the city's recent heritage can be seen in increasingly visible battles over the fate of postwar landmarks like Richard Neutra's Kronish House in Beverly Hills and in nascent efforts to preserve and display artifacts from the early years of the computer and aerospace industries in Los Angeles.
— latimes.com
This ad for mega-exhibition Pacific Standard Time has been floating around for a few days and the bad news is it's not an actual campaign image. The good news is that Ice Cube's celebration of Ray and Charles Eames is totally real. A rep for PST tells us this ad is "an unapproved rough concept" that was leaked, but she adds that "The ads for the campaign featuring Ice Cube and Eames will be released in the coming weeks." — la.curbed.com
Gotta love LA. View full entry
