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It’s very significant. In terms of personal meaning, I have approached it as a kind of meditation and reflection on the idea of deep time—planetary and galaxy time that is beyond the human timeline.
Asaase III is, in a way, a representation of how I imagine an ideal city—a city that is in symbiosis with the Earth, acknowledging it and honoring it in a very deep way, but also absolutely transforming it and creating new features.
— ARTnews
The new (permanent) addition to the Griot Museum of Black History is Adjaye’s second foray into rammed earth sculpture, following a 2021 installation at the Gagosian Gallery in New York. COUNTERPUBLIC curator Allison Glenn says the commission was born of her desire to connect the museum to the... View full entry
Davidson College has unveiled its plans for a new memorial to the enslaved and exploited people whose hands built the 186-year-old liberal arts institution. The design effort of the sculpture titled “With These Hands: A Memorial to the Enslaved and Exploited” will be led by Perkins&Will... View full entry
Jerald Cooper, who lives in Cincinnati, wants to recognize and help preserve modern architecture and interior design that have added to the aesthetic and culture of many Black communities.
His aim is to make architecture and design more accessible by using layman’s language to break down barriers typically set up by white academics with advanced degrees, and educate more people who are now empowered through social media to comment on the structural beauty of a modernist tower.
— The New York Times
The music industry marketing consultant started the passion project after a treasured local West End church was demolished in order to make room for Populous’ $250 million new Cincinnati F.C. stadium in 2019, an act which he calls “infrastructural trauma.” Since then, he has grown an online... View full entry
The Griot Museum of Black History will soon be home to a public art installation from the designer of the Smithsonian National Museum of African American History and Culture.
Architect David Adjaye will design Asaase III, a monument that surrounds the museum. The structure will be built of rammed earth, a process using soil and other natural materials from the St. Louis region to make solid structures.
— St. Louis Public Radio
The rammed earth installation is the new Order of Merit appointee’s second such following his well-profiled commission for Antwaun Sargent’s Social Works show at the Gagosian Gallery in New York. Adjaye had also incorporated earthwork into his commission for the 2019 Venice Biennale and... View full entry
The “Black History Is LA History” map includes the Calvary Baptist Church of Pacoima, which was founded in 1955 by civil rights activists Rev. Hillery T. and Rosa L. Broadus, who moved from Arkansas to the San Fernando Valley. The two were involved in the local fair housing movement and helped organize the NAACP’s San Fernando Valley chapter. — Spectrum News Los Angeles
The map, launched by Los Angeles Controller Ron Galperin, highlights key infrastructure like the Paul Revere Williams-designed Theme Building at LAX as well as cultural landmarks like Watts Towers Arts Center and the restored Crenshaw Wall. The focus on sites that are publicly-owned and... View full entry
!["Dubbed America's 'Black Wall Street' the 35-block Greenwood District surrounding the corner of Greenwood Avenue and Archer Street became a prosperous center for black commerce in the early 1900s [...] the Greenwood District was the richest African-American neighborhood in North America." Text and Image courtesy of Greenwood Cultural Center](https://archinect.gumlet.io/uploads/a1/a1e661195451876019391d9b4ec493be.jpeg?fit=crop&auto=compress%2Cformat&enlarge=true&w=514 "\"Dubbed America's 'Black Wall Street' the 35-block Greenwood District surrounding the corner of Greenwood Avenue and Archer Street became a prosperous center for black commerce in the early 1900s [...] the Greenwood District was the richest African-American neighborhood in North America.\" Text and Image courtesy of Greenwood Cultural Center")
The importance of rebuilding and reclaiming America's Black communities is essential to honoring and understanding how social justice and design reform can improve the systemic and racial histories of cities across the nation. The Greenwood District in Tulsa, Oklahoma, is no exception. On... View full entry
