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[...] such projects have fundamentally transformed in recent years, reflecting, among other things, seismic shifts in both museums’ priorities and the profession of landscape architecture, as well as a surge in interest in outdoor space because of the pandemic. The first rule: don’t dare call them gardens. These are sophisticated landscapes integrating — and enhancing — institutions’ missions while also encouraging education, sustainability and a much-needed sense of civic welcome. — The New York Times
Sam Lubell of the New York Times talks to Walter Hood, William Fain, and Kate Orff for a survey focused on the expanding role of landscape architecture in major American cultural sector projects. He says: "The ascension of landscape in the museum world shows no signs of abating." Projects of... View full entry
London is getting an attractive new elevated parkway feature after planning approvals were granted for the proposed Camden Highline, the BBC reported on Friday. Running from Camden Gardens to Royal College Street near the King’s Cross transit hub, the parkway will transform a disused... View full entry
A new, two-tower mixed-use scheme from Studio Gang has been delivered in Amsterdam, representing a first for the firm on the continent as it looks to grow outside of the American market with recent expansions into Canada and now the EU. The 297,170-square-foot Q Residences are meant to address the... View full entry
After five years of construction, MVRDV’s highly-touted mixed-use Valley project has officially opened in Amsterdam. Behind the under-construction Canyon, recently-completed Grotius Towers, and last year’s Depot Boijmans Van Beuningen project, the three-tower scheme represents one of the... View full entry
The extraordinary work of late artist Alexander Calder will soon be displayed in his hometown of Philadelphia thanks to a dedicated new sculpture garden designed by Herzog & de Meuron. The Calder Foundation has shared renderings of the forthcoming Calder Gardens project ahead of its anticipated... View full entry
The widest open space of the High Line opened [...], marking the completion of the wildly popular elevated park. A 16-foot bronze sculpture by Simone Leigh anchors the new section, called the Spur, which offers vistas in every direction.
The Spur is a 420-foot section that extends over the intersection of 10th Avenue at West 30th Street.
— Gothamist
"The design of the Spur has gone through many iterations over the years: from theater, to garden, to woodland, to event platform, to an immersive ‘bowl,’ among others," said James Corner, who led the design of the Spur, as well as other sections of the High Line, in collaboration with Diller... View full entry
[Zumthor] runs a small office from his mountain home in Switzerland; he doesn't give interviews by telephone; he rarely makes public appearances; and his projects—like the ghostly luminescent bathhouse he created for the Swiss town of Vals—emanate a high seriousness that could only have come from this oracle of the Alps. Yet recently, the typically solitary Zumthor has taken to palling around with another prominent designer: celebrated garden designer Piet Oudolf. — online.wsj.com
So who did Zumthor call upon to provide the garden, the green hortus at the centre of his conclusus? Piet Oudolf, of course, foremost exponent of the new perennials movement, a low-key Dutchman with the build of a rugby player who has practically cornered the market in high profile planting projects: the Lurie Garden at Chicago’s Millennium Park, New York’s Battery Park and the wildly popular High Line are among his best known works. — telegraph.co.uk
