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From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains tend to live in architectural splendor. The villain’s lair, as popularized in many of our favorite movies, is much more than where the megalomaniac goes to get some rest. Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested... — Tra Publishing
By Miami-based architect Chad Oppenheim and editor Andrea Gollin, the new publication explores the architectural designs from fifteen films through architectural illustrations and renderings, photographs, essays, film analyses, and interviews. Some of the films featured include Dr... View full entry
