...the most gratifying thing about “Eames” is that it shows, in marvelous detail, how their work was an extension of themselves and how their distinct personalities melded into a unique and protean force. The film is also appropriately busy and abundant: full of objects, information, stories and people, organized with hectic elegance. — movies.nytimes.com

As he has moved through the design professions, Hustwit has scaled up from a single typeface (Helvetica) through industrial design (Objectified) and now to cities. Each one has followed essentially the same structure, talking heads interspersed with images, one person and one idea leading to the next. No voiceover. No narrative. No critique. And not a lot of style. As Hustwit told Adam Harrison Levy, that’s the way he wants it. — observersroom.designobserver.com

Now 86 and still running his Atlanta-based firm, John Portman & Associates, the architect is the focus of a new documentary, “John Portman: A Life of Building,” which premieres tomorrow at the Architecture & Design Film Festival in Manhattan. Mr. Portman recently spoke with a reporter about his career. — nytimes.com

In short we will research the relationship between man and their living environment, the city, with the bicycle as the discovering function. This will partially be done by interviews with architects, city planners and people in control at the local government while on the other hand the people who create the urban bike culture; the cyclist in these cities. — genredevie.com

An excellent documentary about a spectacular but unfinished architectural project that strongly reflects the arc of the Cuban experience of the past 60 years. — The Hollywood Reporter

In 1961, three young, visionary architects were commissioned by Fidel Castro and Che Guevara to create the world's most beautiful art school on the grounds of a former golf course in Havana, Cuba. Construction of their radical designs began immediately and the school's first classes soon followed. But as the dream of the Revolution quickly became a reality, construction was abruptly halted and the architects and their designs were deemed irrelevant in the prevailing political climate. — Unfinished Spaces