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Hadid, who was born in Baghdad and is now a British citizen, claimed that Filler falsely implied she was indifferent to the alleged difficult working conditions of migrant workers on high-profile construction projects in the Middle East, including her own.
She also claimed Filler used large portions of his June 5 review of Rowan Moore's "Why We Build: Power and Desire in Architecture" to question her success and fault her personality, although she was not a prominent character in the book.
— whtc.com
It seems as if BIG will stop at nothing short of world domination. As the subject of Arquitectura Viva’s 162nd monograph, the sheer volume and span of projects from Bjarke Ingels Group since its founding in 2005 is staggering. After breaking away from OMA and then his partnership with ... View full entry
As Seagram’s director of planning, Lambert visited the site daily. “I had intended to go back to Paris, but I stayed in New York, convinced that if the one person who really cared about the building was not there, Mies would not build Seagram,” she says. With Lambert as his protector and Johnson as his assistant, Mies went on to create in 1958 the Seagram building, a landmark of 20th-century architecture. — wmagazine.com
The oversize public monuments and buildings in the capital of North Korea confirm the subservience of the citizen to the state and display the ghastly aesthetic imperatives of totalitarian art. — online.wsj.com
The WSJ's Eric Gibson reviews the book "Architectural and Cultural Guide: Pyongyang," edited by Philipp Meuser, a German architect and architectural historian. View full entry
In this excerpt from his new book, City: A Guidebook for the Urban Age, PD Smith explores the history of ‘invisible’ urban infrastructure, from the network of subterranean steam pipes synchronising Paris clocks in the 1870s to the ‘organism’ that is Seoul today. The next step: a city that talks back to its citizens? — australiandesignreview.com
In its latest issue #15 Rotterdam-based MONU magazine set out on a daring journey to investigate, as chief editor Bernd Upmeyer proclaims, “one of the most fascinating and biggest issues of our time and in culture, or what is left of it: the non-ideological – or better... View full entry
