Wanting to stretch one's fascia, the wood wanting to expand, and the people inside being very minute in comparison with the wood's needs. It's almost as if the house itself is turning and emptying out all the residue of the people, wanting just to be free, free of the people, free of... the spoilage is the word that I'm getting, I just want to keep pushing out further and further and further, and as I do my own body just feels much much more relaxed. — Asher Hartman

Wim Wenders and a team of directors attempt to show ‘the soul of buildings’, from the Pompidou Centre to the most humane prison in the world, in 3D. But their sickly-sweet results feel more like a series of vapid promo videos — theguardian.com

Perhaps no part of Manhattan has changed as dramatically since the 1980s as the Meatpacking District. Located on the Lower West Side, the district has gone from a blue-collar warehouse district with a seedy side into a hyper-luxurious, bustling neighborhood.

From the High Line to the expensive shops and restaurants along the old cobblestone streets, everything looks quite different from when Brian Rose first brought his camera to the Meatpacking District. — citylab.com

Movies can be great. Art can be great. But put them together in a museum exhibition, and the combination can be not-so-great. [...]

A new exhibition of early 20th-century cinema at the L.A. County Museum of Art (LACMA), however, rethinks that equation. [...]

Designed by Amy Murphy, a professor of architecture at USC, and Michael Maltzan of Michael Maltzan Architecture, the exhibition design is the antithesis of the traditional framed-stuff-on-a-wall model. — latimes.com

There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. — nowness.com

The sterility of the photos, especially the images of prisoner bedrooms, hints at the degree to which the Stasi kept a tight lid on dissenters. In prison culture (or at least prison culture as it’s portrayed in the movies), there’s a lot of graffiti: on the walls, in library books, between cells. “We were searching for any scratching or anything in the cells—usually you would think they were sending messages—but it was very clear you couldn’t see anything” — wired.com

Discover the Villa Savoye as you've never seen it before, through the discipline of Parkour and the movements of traceurs !

it seemed perverse to us that architecture has become all about the aesthetics of a few iconic buildings whose main function is the glorification of those with the money to build them. As one prize after another celebrates the work of a selected band of world famous "starchitects", it seemed like humanity's most pressing problems are how to fold metal into the most obscure shapes, and how implausibly high a building can go. — Al Jazeera

On this 13th anniversary of the 9/11 attacks, a shiny new skyscraper towers over what was once a smoldering pile. It’s touted as “an ever-present symbol of renewal and hope,” but the process to build One WTC, the tallest building in the Western Hemisphere, has been arduous and much-delayed. The project, which has had its share of critics, is finally set to open in early 2015. — qz.com

World-renowned architect Bjarke Ingels challenges himself and all of us to think beyond the status quo and dream big. Why shouldn’t you be able to ski down a power plant? He refers to his projects as “promiscuous hybrids”—they combine seemingly disparate elements and turn fiction into fact. — Future of Storytelling