Orhan Ayyüce penned Review: Carlson-Reges House, RoTo Architects. In it Orhan described how Carlson-Reges House has grown out of logistics and a "story within a story". Steven Ward waxed nostalgic about the fact that he had an "opportunity to visit this house with mr rotondi in 2003. stunning - and completely unique. there really could never be anything else like it. and the brewery is a magic little 'neighborhood'."
News Orhan Ayyüce penned Review: Carlson-Reges House, RoTo Architects. In it Orhan described how Carlson-Reges House has grown out of logistics and a "story within a story". Steven Ward waxed nostalgic about the fact that he had an "opportunity to visit this house with mr rotondi in... View full entry
Developed in Europe in the 1990s, cross-laminated timber, or CLT, is among the latest in a long line of “engineered” wood products that are strong and rigid enough to replace steel and concrete as structural elements in bigger buildings. Already popular in Europe, CLT is only beginning to catch on in North America, where proponents say buildings made with the panels could be a cheaper and environmentally friendly alternative to structures made with those other materials. — New York Times
the canopy covers 11,000 square feet of an easement in Battery Park City; effectively, North End Way is a north-south passageway or alley, lined with shops and restaurants. Part of what makes this a notable public space is the quality of construction... But it’s the canopy, which Goldman also commissioned, that formally elevates what is really just a gap between two buildings into something almost as inspired as the nave of a great Gothic cathedral. — New York Times
So, to re-pose the question: what is the radical aesthetic consequence of the cultural desire for sustainable performance? Is it something that expresses itself in a set of formal rules, like the Modern response to the development of the steel frame? Or is it something — because it is essentially about performance — requiring entirely different means to fruition? Well, as with uncharted territory: here there be dragons. — Places Journal
In his latest essay for Places, David Heymann asks, "What is the 'radical aesthetic potential of sustainable design?" Drawing on examples from Leonardo to Duchamp to Peter Zumthor, Heymann explores the still unmet challenge — the "uncharted territory" — of developing a new aesthetic... View full entry
Likely taking its inspiration from the metaphor that space-time is a gently undulating fabric, the Cosmic Quilt was on display in New York last week, slowly rippling as users passed under its glow. — Gizmodo
“Memorial Museum” — is something of a contradiction in terms...
“Museums are about understanding, about making meaning of the past... A memorial fulfills a different need; it’s about remembering and evoking feelings in the viewer, and that function is antithetical to what museums do.”
Reconciling the clashing obligations to recount the history with pinpoint accuracy, to memorialize heroism and to promote healing inevitably required compromise.
No one anticipated how much.
— New York Times
A bunch of bees is inspiring what seems to escape so many people in Buffalo: waterfront development.
With the help of a group of University at Buffalo architecture students, a local entrepreneur hopes to build on a giant bee hive he discovered in an abandoned office and turn a portion of Buffalo's historic waterfront into a design campus where manufacturers, architects and others will collaborate and mastermind new ways to use locally made materials
— Buffalo News
Stewart Hicks and Allison Newmeyer of Design With Company have shared with us their project "Character Building," a series of functional, identity-creating objects they designed for a local Independent Media Center situated inside an old former post office building. — bustler.net
If you're in New York City these days, make sure to check out the exhibition Desired Sync: Global Crisis & Design ver.1.5. Organized by the Korean Cultural Service New York and presented by the Institute of Multidisciplinarity for Art, Architecture and Design (I:M), Desired Sync is the second of a series of exhibitions honorable selected from the official ‘2012 Call for Artists’ program organized by the Korean Cultural Service NY. — bustler.net
Recently, Herman Miller selected six out of 16 original seating and workstation concepts, designed by students in Cranbrook’s 3-D Design Department, and helped turn them into full-scale prototypes for an exhibit at the International Contemporary Furniture Fair (ICFF) in New York. The concepts are aimed at encouraging “rest and concentration in the workplace” [...]. — fastcodesign.com
An OMA-designed temporary pavilion at the Cannes Film Festival was inaugurated today with a screening of Kanye West's debut short film Cruel Summer. The pavilion, with a design led by Shohei Shigematsu, is a raised pyramid containing a seven-screen cinema invented by West's creative team, Donda. — oma.eu
Each year we are privileged to see the diverse range of work being under taken by individuals around the world, — Graham Foundation (PDF file)
Alfred Neumann, Zvi Hecker, architects, Synagogue at Officers School Training Base I, 1968–69, Mitzpeh Ramon, Israel. From 2012 Individual Graham Foundation Project Grant: Space Packed Architecture: Alfred Neumann’s Alternative Modernism by Rafi Segal. Founded in 1956, the Graham... View full entry
"Beauty is not an additive act but rather a coherent aesthetic. Anything else would be irrelevant. We have been advocating a total and integral environment for both physical and mental wellbeing, in other words, a healthy environment must work on all levels."
- Ali Heshmati, '92 graduate from the School of Architecture at College of Design
— LEAD Inc.
Darin Duch, Associate Intern Architect at Laboratory for Environments, Architecture, and Design (LEAD, Inc.), and Ali Heshmati, owner of LEAD Inc., recently completed work on Ambiente Gallerie, a new artist-style chiropractic office located in Northeast Minneapolis. Duch and Heshmati both... View full entry
The artist intended it to be a display of his love for the city: white plastic bags stamped with the “I ♥ NY” logo lighted from within and glowing moonlike from lampposts and trees in Brooklyn and beyond. Almost immediately, the installation attracted attention, though probably not the kind the artist, Takeshi Miyakawa, expected. — nytimes.com
"Mr. Miyakawa also worked for years as a model-maker for the architect Rafael Viñoly, Mr. Lim added." View full entry
Gotham City is undergoing one of the most expansive construction booms in its history. The most prestigious architects from across the globe have buildings in various phases of completion all over town. As chairman of the Gotham Landmarks Commission, Bruce Wayne has been a key part of this boom, which signals a golden age of architectural ingenuity for the city. And then, the explosions begin. — io9.com