Opening on September 15, “The Source” is a six-screen installation housed in a circular pavilion built by architect David Adjaye on Liverpool’s Albert Dock, for which Aitken has filmed conversations with 15 creatives including musician Jack White, architect Jacques Herzog, contemporary artist Thomas Demand, actor Tilda Swinton, photographer William Eggleston and the artist Mike Kelley, who died soon after the interview. — ft.com

Frank Gehry is arguably the world's most famous architect, and while hist projects are notoriously expensive to construct, they may be worth it, at least for residential developers. In Manhattan, the penthouses at New York by Gehry are up for rent for $60,000 per month, and in Hong Kong, an apartment in a newly completed Gehry-designed condo tower overlooking the harbor has just sold for $61 million. Talk about a Pritzker prize. — New York Observer

What constitutes a modern professional workplace is changing rapidly, and Gensler, the San Francisco design and architecture firm, is betting those changes will factor more heavily not only into clients’ interior design decisions, but every single real estate decision they make.

That bet led Gensler to hire a well-known name locally in both design and real estate circles: Robert A. Peck. — washingtonpost.com

Innovation and research are the themes that define the work of the seven teams and the seven installations that articulate SPAINLAB, the exhibition at the Spanish Venice Biennale Pavilion curated by the architects Anton Garcia-Abril and Débora Mesa of Ensamble Estudio. — bustler.net

"It's a clever way to save money," Anneli Sjogren, head of photography at IKEA, said during a recent interview at the company's sprawling photo studio in this sleepy southern town. "We don't have to throw away kitchens in the Dumpster after the photo shoot."

Instead, sets for entire rooms—spanning kitchens to bathrooms to porches—can be mocked up and created on a computer screen without the help of a single camera. — online.wsj.com

Proposals to reinvigorate the city centre of Aberdeen, Scotland by High Line architects Diller Scofidio + Renfro have been rejected by City Councillors. [...] The Full Council voted 22-20 - with one abstention - to reject the scheme but agreed to retain proposals to refurbish Aberdeen Art Gallery, redevelop the site of the City Council’s former St Nicholas House headquarters and the Upper Denburn area, and to invest in ‘City Circle’ plans to make the city better connected for pedestrians. — World Architecture News

A curving, fluid-seeming container made of ombré charcoal glass, Hadid’s design makes for a shape that is distinctly sexy. “The bottle’s dark, translucent qualities offer a sense of mystery that awakens our curiosity,” the Pritzker Prize winner explains. The vessel, whose sensuous lines echo the bottle that Karan’s late husband, sculptor Stephan Weiss, designed for her 1994 scent Cashmere Mist, is sure to awaken many. — architecturaldigest.com

Since it was finished half a dozen years ago, Herzog & de Meuron's 40 Bond Street has become one the foremost icons of the current generation of New York City architecture. Or so the design cognoscenti think. But what about everybody else? Among average New Yorkers, opinions are mixed in this funny video. One guy who definitely does not like the place is a cranky old neighbor from down the block. — New York Observer

Rumor has it that Pritzker Prize–winning French architect Jean Nouvel has been selected to design a mammoth new building for the National Art Museum of China (NAMOC), renowned for its exhibitions of 20th-century and contemporary Chinese art, in Beijing. If reports prove to be true, Nouvel will not only have the distinguished honor of executing this highly coveted commission, but also to win bragging rights for outgunning his blockbuster contemporaries, Frank Gehry and Zaha Hadid... — jingdaily.com

When asked, the German-born “Father of Fonts” insists that there is nothing similar about designing a typeface and designing a house. “They’re totally different,” he says, in excellent English peppered with correctly implemented expletives. “With a typeface, you design a space. A letter is defined by the inside space, more than it is by the outside. You design for shape, but also for function.”... “In either case,” he concedes, “the design is as much about function as it is about aesthetics.” — dwell.com

Among facets that critics may seize upon — and, this being N.Y.U., there will certainly be critics — is that the screens express technology’s new primacy, all but obscuring traditional forms of scholarship behind a cascade of random data. Critics may also discern a feeling of defeat in having to undertake such a fundamental alteration in the hope of saving students’ lives. — cityroom.blogs.nytimes.com

When Mr. Archer, 62, finds something intriguing (and it’s usually a very large something), he often builds a new wing around it.

His house, which he bought 30 years ago for $135,000, was once a 3,000-square-foot, two-story box. Now it is somewhere between 11,000 and 13,000 square feet, with wings flying every which way, a pterodactyl of architectural detritus. — nytimes.com