Some architects swear by Stanley Tigerman. Others, especially those who’ve been wounded by Tigerman’s biting criticisms, prefer to swear at him. In a disarmingly honest moment, the 81-year-old Chicago design maven tells a film interviewer: “There’ll be a lot of people, when I pass away, that’ll say, ‘He’s gone. Thank God!’ — featuresblogs.chicagotribune.com
One of the coolest creative-class careers has cratered with the economy. Where does architecture go from here? — salon.com
The most honest - and painful - report of what's happening in our profession that I've yet read. Including lots of quotes from Guy Horton, too! View full entry
The AIA New York Chapter recently announced seven promising and pioneering new architecture and design firms from the New York area to receive the New Practices New York 2012 awards. The seven selected firms are: Holler Architecture; The Living; Abruzzo Bodziak; SLO Architecture; formlessfinder; Marc Fornes & THEVERYMANY; Christian Wassman. — bustler.net
...will re-examine the built environment of the arid and semi-arid west as a vast field of opportunities for design innovation at a range of scales, from building systems to infrastructure and landscape spaces. The conference will present and debate a portfolio of design strategies generated in response to the challenges set forth in ALI's Drylands Design Initiative... — Arid Lands Institute
Registration is currently open for the forthcoming Drylands Design Conference being held March 22-24 at the Woodbury School of Architecture. This event is the conference part of the Drylands Design Competition you can see the work by the winners at the competition website here. View full entry
The 2012 Alvar Aalto Medal was awarded to Portuguese architect Paulo David last night at the World Design Capital Gala in Lahti, Finland. In the view of the jury, David’s architecture forms a convincing synthesis of contemporary and traditional architecture. — bustler.net
About three-quarters of the people who spoke favored renovating the existing pier or picking a "Mediterranean-style" design for a replacement. The ultra-modern design of "The Lens" did not draw support from most of the people who spoke.
"We are paying for $50 million for a sidewalk over the water," one commenter said.
"I wanted Mediterranean style. (I) feel we are being locked into (a design) that doesn't have any local flavor."
— oldnortheast.patch.com
In a way, my influences are eclectic. Music doesn’t make me want to go and design a house, in a way it’s a more physical pleasure. It’s maybe a break for me or a tunnel to something else. I’ve never had a lot of music in the office. To me music is to be listened to and art is to be looked at. I never understood that thing of using art as decoration. It has to mean something to me otherwise I wouldn’t have it. And I can’t work with music. I find it too stimulating in a way. — John Pawson, phaidon.com
Lindal Cedar Homes has just launched their Lindal Architects Collaborative, an innovative new prefab home collection featuring designs from the world's leading architects. The line, which will feature prefab systems designed by 12 architects, will not only make modern design more accessible, but will make architecture previously reserved for the more affluent financially accessible to the masses. — www.Inhabitat.com
While new firms will be added to the Collaborative each quarter throughout 2012 as they complete and introduce their designs, the first five have just been unveiled and include the likes of Marmol Radziner, Altius Architecture, Bates Masi + Architects, The Frank Lloyd Wright School of... View full entry
Within the parameters of the building art there cannot be artists like Saul Bellow and Philip Roth or like Sidney Lumet and Woody Allen, who in books and movies probe the excruciating details of the Jewish encounter with American capitalism and lifestyle. Architecture cannot tell stories about one’s Jewish mother or one’s Jewish nose. Especially in the era of high modernism, architecture possessed limited expressive resources for detailed cultural critique. — Places Journal
Is there a type of Jewish architecture that unifies the work of Louis Kahn, Peter Eisenman, Frank Gehry, and Daniel Libeskind? Architectural historian Mitchell Schwarzer reviews Gaven Rosenfeld's ambitious book, Building After Auschwitz: Jewish Architecture and the Memory of the Holocaust, and... View full entry
The board's long-range planning committee chose Holl, based in New York City and Beijing, after reviewing site-specific concepts from three internationally known architecture firms, including Snøhetta and Morphosis, according to a statement from board chair Cornelia Long. — chron.com
"You can have a grand dome and grand minaret, but if it doesn't really serve the purpose, if it only has a large prayer space and nothing else, then you're not really fulfilling the needs of the community," he says. — BBC News
In post 9/11 America the construction of new mosques in the US has sometimes sparked controversy and even confrontation. Is that why some new Muslim houses of worship are being built without the most recognisable features of Islamic architecture - minarets and domes? View full entry
“You should know that Frank and I had a conversation backstage,” the mayor said at the opening of the Signature Theater today, “and we both committed to each other that we would get 10 more Frank Gehry projects going here—in the next 700 days. If my math is any good, Frank, that is one every 70 days, so we should meet some time later today to get going.” — observer.com
Peter Gluck & Partners’s innovative approach to project delivery, “Architect Led Design Build”, is simple: the New York City-based firm acts as both the architect and the contractor. The client gets two separate contracts with different legal entities but the same people. A typical project goes from schematic design, directly to subcontractors who estimate cost and contribute useful information on alterations or alternatives. — metropolismag.com
Ruth Price, president and artistic director of the Jazz Bakery since it debuted in 1992, said Tuesday that she didn’t know Gehry, or even ask for his help, before he called about six months ago to volunteer his services.
“He said, 'I’m doing this for two people: Sydney Pollack, and my wife, Berta.’ ” Film director Pollack, a close friend of the architect, died in 2008..."
— latimesblogs.latimes.com
The act of memorializing the AIDS epidemic with a physical gesture goes beyond remembering and honoring the dead. AIDS is not a war, nor a disease conquered. There are no definite dates or victims. In our design process, we emphasize the changing and varied ways through which AIDS affects us personally and as a society. It is important to create a space that conveys our sense of solemn respect, remembrance and loss, without resorting to symbolism around a date, image, or names. — aidsmemorialpark.org