Pesce hasn’t had a comprehensive solo show in his adopted hometown since a 1999 exhibit tucked away at Columbia University’s School of Architecture. “He’s a legend and a New Yorker, so that tragedy needed to be corrected,” said Steven Learner, the creative director of the new Collective.1 Design Fair, where Pesce’s retrospective opened today. — tmagazine.blogs.nytimes.com
For more information on the Collective .1 Design Fair, click here. View full entry
The specially appointed Holocaust Memorial Artist Selection Committee overwhelmingly favored Daniel Libeskind’s design for an 18-foot tall brushed stainless-steel memorial accompanied by a 40-foot walkway and memorial words etched in limestone. — dispatch.com
After a daylong meeting in which the panel heard extensive presentations from all three artists, Richard H. Finan, chairman of the Capitol Square Review and Advisory Board, which will make the final decision on the design, strongly opposed Libeskind’s proposal. He said a memorial with a Jewish... View full entry
*This screed is awesomely entertaining and full of cool links, even though it’s almost entirely implausible..There’s also the occasional built-from-scratch Brasilia. So, some people might build a city like this in some central-planned, high-tech rush, before realizing that urban drones, bacteria, and 3DPrinters are fated to become as old-fashioned and pokey as swoopy, Space Age Brasilia is right now. - Bruce Sterling — Co.Exist. - Fast Company
As part of the Futurist Forum series, Chris Arkenberg composed some vignettes, suggestive of how urban architecture(s) could transform from than the rigid construction methodologies of today, the result being that "Architecture will lose its formal rigidity, softening and flexing and getting... View full entry
I’m very happy to see all the works on display, and we’re busier now than we were then. We’re looking at things that we’re doing in the future. I think it’s good to be able to share so much of the work we have done that people wouldn’t otherwise come in contact with it. The exhibitions are good in that respect. We have all this stuff. Why keep it in the office? Send it out. — Artinfo
NBBJ, a global architecture and design firm, today announced that it has appointed Tim Leberecht as its Chief Marketing Officer. Leberecht joins NBBJ from Frog Design where he led the marketing organization from 2006 to 2013 and helped transform the company into one of the world’s foremost... View full entry
Architecture and journalism, like politics, sometimes make strange bedfellows. — Los Angeles Times
"Pedro Ramirez Vazquez, the great Mexican builder who died April 16 at age 94, was responsible for many of the monumental public works that defined the Modernist look and aspirations of his country in the post-World War II era. Among his projects were the stunning Museum of Anthropology in... View full entry
The Modernism worth pursuing — worth protecting — is the one where Gregor Samsa wakes up transformed into a large insect, and ends up with an apple embedded in his carapace, which is exactly what the Folk Art Museum is to the Museum of Modern Art, right now, right where it is. — Places Journal
On Places, David Heymann presents an incisive critique of MoMA's decision to raze the Folk Art Museum building, by Tod Williams Billie Tsien Architects. From a quiet beginning — "Here is why I think the American Folk Art Museum is a great Modernist building" — Heymann works his way to... View full entry
Over at the LA Times, Christopher Hawthorne reported on LACMA Director Michael Govan’s plan’s for $650-million new building by Swiss architect Peter Zumthor...Eric Chavkin commented "New construction has always been fundraising tail that wags the museum dog. Big names to draw bigger money...Now that AMPAS is leveraging it's Oscar prestige to be a part of LACMA, a new name to entice donor dollars is Zumthor, a name that means absolutely nothing to most.
NewsMichael Z Wise reviewed the newest edition of Albert Speer, Architecture by Léon Krier for the Wall Street Journal. Mr. Wise concluded his review "Though he is again bemoaning a contemporary inability to regard classicism in a detached manner, it is Léon Krier who is in a... View full entry
Frank Gehry has pulled out of a major architecture exhibition set to open June 2 at the Museum of Contemporary Art, a move that could force the show to find a new venue or face the prospect of being canceled altogether.
The exhibition... is an exploration of the last 25 years of Los Angeles architecture, with work by Gehry, Thom Mayne, Michael Maltzan, Barbara Bestor, Lorcan O'Herlihy and many younger architects.
— latimes.com
The highly anticipated expansion to the Kimbell Art Museum, designed by the Renzo Piano Building Workshop (RPBW) and Kendall/Heaton Associates, opens to the public on Wednesday, November 27, 2013.
Renzo Piano’s colonnaded pavilion stands as an expression of simplicity—glass, concrete and wood—surrounded by elms and red oaks, some 65 yards to the west of Louis I. Kahn’s vaulted, luminous museum of 1972.
Similar in scale to the Kahn building, the 300-foot-long, 22-foot-high building is composed of two parallel wings stretching from north to south, connected by two glass passageways. To the rear, the west wing will have a green sod roof, which appears to rise out of the ground with berms on either... View full entry
Women make up almost half the graduating architecture classes, but only 17 percent of architecture-firm leadership. Even as women have made great strides in the field over the last several decades, that disconnect hasn’t gone away. — csmonitor.com
The exhibition was planned as an exploration of the last 25 years of Los Angeles architecture, with work by Frank Gehry, Thom Mayne, Michael Maltzan, Barbara Bestor and many younger architects.
It was funded in part by a Getty Foundation grant of $445,000. No other single show in the PSTP series received a grant as large, according to a Getty press release. A 272-page catalog, co-published by Rizzoli, is already complete.
— latimes.com
Facing delays in finishing the installation of the show, the show will be canceled, or, at best, delayed. View full entry
At university, students from other courses felt that we in architecture weren’t really studying at all; to them the studio seemed like some kind of uber-kindergarten, legitimated for academic credit.... The architecture profession seemed from the outside, and perhaps even to us on the inside, to promise an idyllic eternal childhood of balsa and glue and gee-whiz drawings on computers. — Places Journal
On Places, Naomi Stead discusses the popular conception of architecture as a kind of "child's play." What do dollhouses and architectural models have in common? Why should we care about Lego Architecture and Architect Barbie and the romantic depiction of architects in Hollywood movies? She... View full entry
UC Davis today announced that it has selected an emerging New York-based design firm, SO – IL, to design the campus’s planned art museum, envisioned as a regional center of experimentation, participation and learning. The firm will work with team members Bohlin Cywinski Jackson, a prominent architectural firm with offices in San Francisco, Seattle and Pennsylvania, and contractor Whiting-Turner, a national construction firm... — news.ucdavis.edu
The new museum advances the way museums and architecture are approached in the 21st century. Designed by SO - IL in partnership with Bohlin Cywinski Jackson, and built by Whiting-Turner, the design incorporates a 50,000 square foot steel structure that floats atop a series of interconnected... View full entry
At the Los Angeles County Museum of Art, an acclaimed Swiss architect is hoping to pull off what an acclaimed Dutch one could not.
Next month LACMA will publicly unveil a $650-million plan by Pritzker Prize winner Peter Zumthor for a dramatic new museum building along Wilshire Boulevard.
— latimes.com
